A Quote by Brad Garrett
Without having some kind of parameters placed on a coach, the reality is they could all have a different vision of what a kid's limit is in the heat, ... The policy itself that was adopted by the OSAA executive board gives the coaches some parameters as to how to structure their practices and guidelines to follow.
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You kind of have to celebrate the moment that you get to create something that you love that falls into the parameters of a 3-minute-and-20-second song, to try to be creative inside of those parameters.
There's different types of coaches in life. I don't have to be a coach on the basketball court. I can be a coach for businesses. I can be a coach for kids. I can be a coach for people who have gone through adversity, because everyone has had some type of damn accident in some form or capacity.
Education has rules and parameters. Women outperform men when the parameters are clear.
If you don't question you're stuck within a pre-existing parameters of knowledge. Questions are what take you outside of those parameters.
Yeah, it's more like playing what you think is appropriate for the moment. It's not about trying to force any particular style within the parameters - and the parameters we play in are pretty large!
Often creativity comes from a very pragmatic kind of "well, what if we try this. How about this." You set some parameters and then work through the variations. It's hard to see something as a concept. It literally comes out of the hands on experiment.
Pot is great for the abstract, for when you don't have to be regimented and for when you don't need parameters. When you're creating a song, there should never be any parameters, so being high is okay because your mind can wander all over the place.
![Steve "Lips" Kudlow](/assets/images/photos/avatars/steve-"lips"-kudlow.webp)
When you're writing for newspapers you have all these parameters. You can't swear, you have to use short paragraphs, all that. If you stay within those parameters, you have lots of freedom because you're writing for the next day.
I do preach the idea of individualism as in not adapting any kind of style or model other than that one of your own. I always found it strange in art history when studying about the different guilds and movements. It sounded too contrived and having to follow devised parameters to create art. I personally am not a team player in that manner. The art should be labeled by the artist's name only.
When a coach comes in and takes over a new program, he's adopting 125 new stepchildren. Some of them love the place but a lot of them love the coaches, they came for a different offense, they came for a defense, and every coach is different. All have some similarities but all are different.
Some deeply untrusting actors - the kind that need to know exactly what's what and are completely insecure - might be quite good within the parameters of a certain sort of acting.
If you have a procedure with 10 parameters, you probably missed some.
We can't have democracy if we're having to protect you and our users from the government over stuff we've never had a conversation about. We need to know what the parameters are, what kind of surveillance the government is going to do, and how and why.
I'm a big believer in creating parameters for creativity. I think parameters make people more creative. So that starts with my budgets. I only do low budget movies, and I think that makes the movies better.
There are a lot of parallels between doing a sequel and doing low budget movies, which is they give creative parameters. As a creative person myself, I work better with parameters as opposed to anything goes.
During this period (of technological confinement / [and language]) the human mind has been placed in its narrowest confines it has experienced since consciousness emerged from its Paleolithic phase. Even the most primitive tribes have a larger vision of the universe, of our place and functioning within it, a vision that extends to celestial regions of space and to interior depths of the human in a manner far exceeding the parameters of our world of technological confinement.
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