A Quote by Brad Parscale
A digital director shouldn't be out front, but a campaign manager's job is to set a narrative.
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Simon Collinson, of digital publisher Canelo and über-cool Aussie mag The Lifted Brow, is our digital producer; Sarah Shin, Verso's comms director, is helping us out with press publicity; Soraya Gilanni, who mainly does production and set design for films and commercials, is our art director.
My job as artistic director at the Brighton digital agency Lighthouse is all about trying to show that digital culture is about more than just tools and gadgets - it's about perceiving the societal transformations being brought about by technology.
Many American TV actors employ agents, managers, business managers, publicists and stylists, and are now adding digital media manager to the list. Their job is to reach out to the fans, managing websites, Twitter feeds, Facebook and Wikipedia.
It's part of the reason I decided to speak out now. This was the tipping point for me. If it's O.K. for [David Petraeus ] to campaign for a job in the administration, then I'm going to campaign to get back out there, too.
As a former presidential campaign manager, I remember the final week of the campaign as being the longest and most important week of the campaign. The week doesn't seem to end.
In Washington, there are jobs that have official titles: chief of staff, campaign manager, director of communications. Then there are all these vague and murky headings over people who are just special consultants or advisers. We really don't know what their gig is.
The director is the only person on the set who has seen the film. Your job as a director is to show up every day and know where everything will fit into the film.
It is not the manager's job to prevent risks. It is the manager's job to make it safe to take them.
Animators do amazing working translating and interpolating the characters [in the Planet of the apes], the facial performances. What we're creating on set - if you don't get it on the day, in the moment, on set, in front of the camera, with the director and the actors. The emotional content of the scene and the acting choices.
When you have the Chief of Staff of the Republican National Committee and the political director of the Romney campaign, and their two companies get $150 million at the end of the campaign for the 'fantastic' get-out-the-vote program... some of this borders on RICO violations.
One set at extreme intensity does the muscle-building job. It must be stressed that the one final, all-out set I do takes me to the very limit of my capabilities. If you feel you can attempt a second set, then you couldn’t have been pulling out all the stops during the first set. It's not pretty, but it works.
After [Donald] Trump and his campaign manager both initially denied having anything to do with the platform change, a Trump campaign official now admits that the campaign pushed to soften the Russian language in the platform. It says it was done specifically at Trump`s request.
I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
The owner's job is to hire the general manager. The general manager's job is to run the hockey team.
Campaign manager Eli Gold played by Alan Cumming on "The Good Wife" describing an old maxim in politics, don't commit to a decision before you have to. And that rule appears to have worked brilliantly for Democratic candidate front-runner Hillary Clinton, who has avoided taking a position on the president's trade agenda and has remained out of the ugly public spat with the progressive wing of her party. She has also not taken a position on the Iranian - on the talks.
I was through as a manager. I did become involved late in the 1968 campaign at the national scene at the last minute. But I was through as a manager, and I've stayed through, incidentally.
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