It's one of those weird things where I'm always curious about what's next. It's not just an empty restlessness, I try to appreciate things as they're going along and in the moment, but when things are good, I'm always anxious about how I can better that or take it on further.
Boy you got my heartbeat runnin away
Beatin like a drum & it's comin your way
Cant you hear that
Boom badoom boom boom badoom boom bass
He got that super bass
Boom badoom boom boom badoom boom bass
Yeah that's that super bass
The world doesn't belong to us, we belong to it. Always have, always will. We belong to the world. We belong to the community of life on this planet--it doesn't belong to us. We got confused about that, now it's time to set the record straight
If I had more recreation time I would be able to step back and reflect on how life has changed. But it has been like a constant... boom, boom, boom, boom, boom!
For 10 years, I'd been told I was always going to be a catalogue girl, never a cover girl. Well, I got with IMG and did five covers in a year, boom, boom, boom.
I know too many playwrights, or would-be playwrights, or would-have-been playwrights, that are around my age, who were bitter or have gone to something else because they got such a raw deal from critics, and some are quite wonderful writers.
In many ways, I went through a lot of my adult life thinking about, "What's next? What's next? What's next?," and always having my eye on tomorrow as opposed to what's happening at this moment. That experience forces you to really focus on the moment.
You are whole and also part of larger and larger circles of wholeness you many not even know about. You are never alone. And you already belong. You belong to humanity. You belong to life. You belong to this moment, this breath.
I've always loved science, as far back as I can remember. I was very, very curious about how everything worked: the world, the physical universe, chemistry, law. So it was only natural to be curious about how our mind works.
Belonging to the Dramatists Guild Council where, with my fellow dramatists, I can directly affect (and protect) the professional lives of all American Playwrights has always made me feel that I am returning as much to the theatre as I withdraw. Because only playwrights can ensure the well-being of playwrights. No one else will do it for us.
I used to do three or four songs a day, just write them - boom, boom, boom, and done - because of how spontaneous I was.
They're just talking. They're flirting kind of like they're strangers, but at the same time they also seem to know each other really well. I don't get it." "So they're taking it slow. What's wrong with that?" Bill asked. "Kids today, they just want things to go fast-- boom boom BOOM.
The classical writers... playwrights, Jacobean, Elizabethan playwrights, all showed areas of all classes and how they live and painted them pretty authentically.
I didn't know about the Bond girl thing. I was approached very quickly, boom, boom, boom, it happened.
From the moment I started writing raps, I was always aware of the pressure. I always wanted to live up to how huge Snoop got, how huge Dre got, how huge Pac got. I was always aware.
It's like, 'How can I reverse engineer what it takes to gain followers on a platform?' And I'm curious about how it works. And I'm the same way with people. I'm curious about what makes them tick.