A Quote by Brett Ratner

Rehearsal? What’s that? Rehearsal’s for fags. Rehearsal. Not much. — © Brett Ratner
Rehearsal? What’s that? Rehearsal’s for fags. Rehearsal. Not much.

Quote Topics

I think rehearsal can be important if it's done in a way that works. Often, rehearsal can be a waste of time.
I'm a theater actress. I love rehearsal. I could have six weeks of rehearsal and think it's not enough. But on film, you don't get that luxury.
I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room.
I don't do rehearsal. Some directors prefer to do rehearsal - readings before the actual shooting - but I don't like this process because I think there are certain things that are so spontaneous, and they cannot happen twice.
I'm a kid who did stock and summer youth theater where we'd put up two shows and you had no rehearsal. I've also understudied, where I've had to go on with no rehearsal.
When you're young and starting out, the big hurdle is to relax enough in rehearsal so that you don't feel intimidated. The more work you've done, the more you can experiment in rehearsal and not have to worry about getting the sack.
I've been on projects before where there's no rehearsal, and you walk in on set and that's literally the first time you've ever played the character, and then I've had times where there's been three weeks of rehearsal. I like both.
A lot of people don't really understand what rehearsal's about. People are afraid they're gonna leave it in the dressing room, or you're gonna shoot your wad in rehearsal.
I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn't anticipate. It's really good to think we got it all nailed - of course you've never got it all nailed.
I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn’t anticipate. It’s really good to think we got it all nailed - of course you’ve never got it all nailed.
In general, I don't even have the luxury of rehearsal time on most films that I make. It is just a scene-by-scene full cast read through. It's very much just doing the rehearsal sometimes the day before, at the end of the day, but just on the spot as the scene unfolds.
The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
Classical stuff takes a lot of rehearsal time and preparation, but with stuff that involves improvisation, you can over-rehearse it and it gets stale. You don't want it to be too comfortable. In fact, a good sound check, a good rehearsal usually means a bad performance.
We had no money, and we had to go through 'punk' school. We ended up living in the rehearsal room that used to be the Sex Pistols rehearsal room at Malcolm McLaren's office. So we had this sort of interesting beginning.
The problem - not problem, but main thing - for me has been adjusting my kids... Four-year-old twins! I'm waking up in the morning for rehearsal, taking them to school, and then having to go to rehearsal - trying to do a 15-minute warm-up, even on the subway.
On movies, I like to involve the cast in the writing of the script. I like to have a rehearsal period, after which I do the last draft, which gives me a chance to incorporate anything the actors have come up with during the rehearsal period, so I'm very inclusive as a writer.
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