A Quote by Brett Ratner
When I was 13, Eddie Murphy was to me what Chris Tucker was to 13-year-olds when I made 'Rush Hour.' And 'Rush Hour' really came out of the fact that I grew up watching 'Beverly Hills Cop' and '48 Hrs.'
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The actors are different, although I didn't set out to be different. My inspiration came from people like Eddie Murphy, Martin Lawrence and Will Smith. The genre is what it is. My inspiration was drawn from great movies like 48 Hours, Bad Boys and Rush Hour.
Even during the promotion I told people that I didn't like Rush Hour. The jokes I didn't understand and the fighting, compared to my Hong Kong films was terrible. A lot of people didn't like it. But mostly people did like it, they really liked it. Rush Hour really brought me to the American family audience.
Usually for a movie, if you want a 13-year-old, you get a 16-year-old who looks 13, because 13-year-olds dont have that level of self-awareness.
The action star's life is very short. Back in Asia, I can do whatever I want to do. I'm the producer, I'm the director, I can do so many things, but in Hollywood any time I present a script they say: "No, no, no, Rush Hour 3, Rush Hour 4."
'Beverly Hills Cop' opened up a whole world. I got the television show and movies, and I would go sign autographs for one hour and get paid $25,000.
At 13, in my first year of Tonbridge, I went up for the part of Macbeth. I was up against the 17- and 18-year-olds, but for some reason I got the part. It made me incredibly unpopular with my peers, but it was the English and drama teachers who stepped in to save me when others wanted me kicked out of the school.
Hot Fuzz in a strange way, for me, summons up the spirit of watching R-rated films that I was too young to watch. I was 14, 13 maybe, when Robocop came out. Seeing Robocop at my brother's friend's house, and not really supposed to be watching it, because it was [rated] 18 and I was 13. That mind-blowing experience, because not only is it a great film, but it feels illicit.
I wrote a book of essays about New York called 'The Colossus of New York,' but it's not about - you know, when I'm writing about rush hour or Central Park, it's not a black Central Park, it's just Central Park, and it's not a black rush hour, it's just rush hour.
There are a lot of people in Beverly Hills who come from the Middle East, who are very much a part of the Beverly Hills fabric, and their kids grew up with the privileges of Beverly Hills. And yet they still have to deal with a lot of the prejudice against them for being foreign-born.
I grew up in Mississippi. I was there for 13 years, and then when I turned 13, I moved out to L.A.
I absolutely love '30 Rock' and 'The Office,' but I don't know how many 13-year-olds are watching that stuff.
You have to have energy at hour 13, at hour 14, at hour 15 - comedy cannot be tired, cannot be lazy. You have to be ready to go; you have to have energy.
I was this big, heavy kid - nobody was at my weight at that age, so I had to fight 12-year-olds, 13-year-olds when I was seven years old. And what do you know, I was beating them.
Speaking of earning, the revered 40-hour workweek is for losers. Forty hours should be considered the minimum, not the maximum. You don't see highly successful people clocking out of the office every afternoon at five. The losers are the ones caught up in that afternoon rush hour. The winners drive home in the dark.
My dad would let me leave work an hour early if I had a game. I'd drive back an hour to Bournemouth, get my bag ready and be off to the game for a half six meet - so on a Tuesday it was a rush.
Eddie Murphy did '48 Hrs.' because that was the only movie offered to him. And he killed it. Bill Cosby did 'I Spy' because that was the TV show he was offered. But now, there are networks dedicated to comedy, and the Internet... it's so easy for comedians to not do things that aren't true to them.
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