A Quote by Brian De Palma

You really are as hot as your last movie. And it goes away really quickly. — © Brian De Palma
You really are as hot as your last movie. And it goes away really quickly.
You're always as good as your last movie and that's the same with politics. If you are successful with a certain policy, then you're hot; if you're successful with the economy, or bringing down the unemployment rate, then you're hot. But if you're not successful, then things go south very quickly.
There comes a point in your life when you realize how quickly time goes by, and how quickly it has gone. Then it really speeds up exponentially. With that, I think you start to put a lot of things into context; you start to see how huge the world is, and really, the universe.
You can't really micro-manage. You'll never make the movie in 52 days, if you micro-manage. If you do that, you take the creativity away from people because people just really quickly become disinterested when they're always being told how to do it.
'Kung Fu' was never cancelled; I just left. I decided I had enough of it, and I thought I should do a movie right away, because I think when you leave a television series, it's important that you establish the fact that you're a movie actor really quickly, or you might never get that chance.
The legal system works really well, if you communicate a certain way. But if you don't, it all goes to Hell in a handbasket really quickly.
I grew up, really, in the days before air conditioning. So I can remember what it was like to be really hot, for instance, and I can remember what it was like when your barber shop and your local stores weren't air conditioned, so it was hot when you went in them and they propped the doors open.
What 'Shaun of the Dead' and 'Hot Fuzz' and 'World's End' do is smuggle a different movie under the guise of a zombie movie or a cop or alien invasion movie. Even though they all have action and carnage, they are really films about growing up and taking responsibility.
It was really really neat to make the movie because there were mentally challenged actors in the movie. So that was really really cool to work with them and they were always really happy, and they made everybody really happy on the set too.
Ten episodes goes by really quickly, especially when you've got a really tough shooting schedule of seven-day episodes.
The gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes bring you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses.
I really loved ["The Love Affairs of Nathaniel P" by Adelle Waldman]. It's having a really hot moment. Unlike many hot books, it's actually really wonderful. I tend to have that reaction: I don't want to read it if everyone thinks it's cool. It was a really interesting insight into being young and male. Now that made me feel really thankful for my boyfriend and really thankful because he wasn't like that protagonist, but I know so many people who are like that protagonist.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
I went into Xanadu going, 'I really dislike this movie - let me try to make it something wonderful,' but with 'The Band Wagon,' I really revere this movie. It's really a beautiful movie musical. And, yet, because I'm a writer and look at it that way, I see that there are faults in it.
I learned a great lesson early on, even before I was really an actor, from that movie 'Planes, Trains & Automobiles' that John Hughes made: that you could make a movie that's really, really, really, really funny, and sometimes you can still achieve... making the audience feel very deep emotions as well.
What we really need is for me to get hot and stay hot. When I go, this team really takes off.
When movie people go over into television, it's a little bit of a shock. It's much faster-paced. Everything is really last-minute. You won't know your schedule for the next episode until the last minute.
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