A Quote by Brian De Palma
I've dropped myself into straightforward character pieces in order to explore that form and reap its values. But you are sort of restricted visually when your first requirement is to tell a fairly straightforward story.
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When you do animation - well, straightforward animation, although it's not straightforward - the voice for a character or something, they're always singular experiences, really.
But with nonfiction, the task is very straightforward: Do the research, tell the story
But with nonfiction, the task is very straightforward: Do the research, tell the story.
Being in Marin City was like a small town so it taught me to be more [straightforward] with my style. Instead of of being so metaphorical with the rhyme, I was encouraged to go straight at it and hit it dead on and not waste time trying to cover thingsIn Marin City it seemed like things were real country. Everything was straightforward. Poverty was straightforward.
In theory, cars are fairly simple. If they don't start, it's either the fuel system or the electrical system. Teach yourself about the path of each in your engine and tracing it is fairly straightforward. But at the beginning, mastering each new system seems like an unreachable shore. The car is effectively a black box.
My playing is fairly straightforward, really, and everything's pretty much standard no frills or special effects.
I cannot tell a lie, and I'm very straightforward. Sometimes this hurts people. I've wondered if I should change, but I feel more comfortable about myself this way.
That's always my ambition is to create a character out of what will help tell the story. I've never been an actor to say my character wouldn't do that, because he should do that in order to help tell the story.
You have to be rather straightforward with your clients. You can't tell the parties only nice things. This is not an entertainment show; it's not reality television either.
Some novels present a story form many points of view. Most movies tell only one person's side of the story. Sometime it's easy to use the strongest point of view, or find the character with the most dramatic experience. It depends on which themes the scriptwriter wants to explore.
For most of Wall Street's history, stock trading was fairly straightforward: buyers and sellers gathered on exchange floors and dickered until they struck a deal.
One thing is a fairly simple and straightforward thing. I don't long to direct. I really want to get some good parts.
Life, to me, doesn't feel like a straightforward story; it doesn't make sense for me to get up there and just tell a story. Life feels like what my show feels like: chaotic and strange and disconnected.
Often times, if a character is pretty straightforward, he or she is not as interesting to portray.
Lots of people tell me I am straightforward.
'Friends With Benefits': it feels like a two-hander to me, but it is a big movie, and this is the first straightforward male I've been able to play. I would describe my character in 'The Social Network' as a kind of sociopath. I would describe my character in 'Bad Teacher' as... just a weirdo. But this is a male's male.
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