A Quote by Brian De Palma

I've been obsessed with this kind of visual storytelling for quite a while, and I try to create material that allows me to explore it. — © Brian De Palma
I've been obsessed with this kind of visual storytelling for quite a while, and I try to create material that allows me to explore it.
Visual storytelling of one kind or another has been around since cavemen were drawing on the walls.
For me, the perfect film has no dialogue at all. It's purely a visual, emotional, visceral kind of experience. And I think one can create wonderful depth and meaning and communication without using words. I started out as an illustrator and a cartoonist and caricature artist, so for me the visual is primary.
I'm a visual filmmaker so the camera is a big part of my storytelling tool and it's something that I really rely on to tell a scene or create the suspense that I need and create the emotion of a scene or a sequence.
Television is a visual medium. You have to create some kind of visual interest. And it's entertainment for your eyes.
I love storytelling, I love being a visual person, and it just made perfect sense to be an underwater photographer and explore the ocean and work with scientists.
I've always wanted to explore characters of all races, all genders, all ages. It just seems to me to be a natural way to approach any kind of storytelling.
So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point.
So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point
I'm obsessed with low end, its kind of my religion. In a way it has given me a chance to explore more than I have in any other project.
The advice I would give to any photographer - young, old or in-between - is to explore anything visual because this is, after all, how you express your artistry. Look at paintings, movies, drawings, sculptures - look at anything visual and try to integrate that into your visual sense. After that, go out and take pictures and keep on taking pictures!
I know with Gary Ross especially, he kind of gave me pointers here and there, but he kind of let me become firm in any way that I needed, and he just let me try things and to explore what I can do with my acting. So that was very helpful.
Because storytelling, and visual storytelling, was put in the hands of everybody, and we have all now become storytellers.
My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.
People that have known me for a while tell me how they see me grown as an artist and as a writer. I think that this comes with continuing writing each day. I try to write as often as I can and explore more while I do it. I feel more comfortable with opening up and telling more of my story to everyone.
I've always been obsessed by visual art as I have been by music personally, but that doesn't mean anything professionally.
Unlike fiction, which you create before you go into production, with reality you kind of create it after everything is produced. The drama and the storytelling is really done in post.
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