A Quote by Brittany Kaiser
To be honest, it's hard when you're knee-deep in the trenches of an industry to see it how others see it.
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Until we take how we see ourselves (and how we see others) into account, we will be unable to understand how others see and feel about themselves and their world. Unaware, we will project our intentions on their behavior and call ourselves objective.
You have to expose part of yourself to create a character deep enough for readers to care about. You try not to because it's hard and at times shameful, but then when you read those pages over and you see they have no life to them so you throw them away and force yourself to be more honest. So I suppose the answer is I see myself in all my characters, in their best moments and in their worst.
If you are never satisfied with what you write, that is a good sign. It means that your vision can see so far that it's hard to come up to it. Again I say - the only unfortunate people are the glib ones, immediately satisfied with their work. To them, the ocean is only knee-deep.
Like when you scrape your knee and you get a scar, but then the scar fades so much that no one can see it but you. But you know where it is. Cuz you remember what caused it. And no matter how hard you try, you can never forget how bad it hurt when it first happened.
When we see the need for deep change, we usually see it as something that needs to take place in someone else. In our roles of authority, such as parent, teacher, or boss, we are particularly quick to direct others to change. Such directives often fail, and we respond to the resistance by increasing our efforts. The power struggle that follows seldom results in change or brings about excellence. One of the most important insights about the need to bring about deep change in others has to do with where deep change actually starts.
To see ourselves as others see us is a most salutary gift. Hardly less important is the capacity to see others as they see themselves.
If you see me when I first burst onto the scene, you see how quickly I could turn for a big lad and how fast I was up and down the pitch. Then I started picking and choosing my time to go forwards because I was scared of my hamstring going or my knee not dealing with it.
I've often used the extremes in my work to comment on the mainstream. I think that sometimes a subject that I'm working on, like popular culture, is so present all around us that they're hard to see. It's like: How do you see the air you breathe? How do you see how it affects you?
Digital has really made the fashion industry a lot more transparent. So people can see and understand how the industry really works, and participate in an industry that was very inaccessible to people. The only thing that people used to see before was the end product. Anyone can participate in it now.
I had a hard time treating my field as if it’s horse racing, putting actors in competition against each other. I see how the industry and the studios feel it’s important, but I don’t really have a feeling for being in competition. I want to feel sympathetic and close to others, not opposed to them.
I had a hard time treating my field as if it's horse racing, putting actors in competition against each other. I see how the industry and the studios feel it's important, but I don't really have a feeling for being in competition. I want to feel sympathetic and close to others, not opposed to them.
Our sacred beliefs have been made pencils / names of cities / gas stations / My knee is wounded so badly that I limp constantly / Anger is my crutch / I hold myself upright with it / My knee is wounded / see / How I Am Still Walking.
As I grow older, working in the entertainment industry, where I should worry how others see me, my self-esteem has further dropped.
It is easy to see the faults of others... it is hard to see our own.
I don't really see how any song can not feel contrived if it isn't honest, and how could I write honest songs if I don't write about stuff going on in my life and how I'm feeling?
Through training, practice, and a deep sense of optimism, architects see opportunities where others only see a void. This has been the driving principle behind Architecture for Humanity since our founding.
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