A Quote by Brooklyn Decker

You become a model once you go through hair, makeup, and Photoshop. — © Brooklyn Decker
You become a model once you go through hair, makeup, and Photoshop.
People always want you to look pretty. I would like to live in the Midwest in a small town and never put makeup on. But they won't let you do that. Once I went through a period when I did do that, wore no makeup, wore my hair any which way, and people looked at me like I was a bum.
Whenever you're going through stuff, it definitely reflects in the way you wear your makeup and hair. Wearing less makeup is more comfortable for me.
At home I wear my own clothes, no makeup and don't do anything exciting with my hair. I get to borrow pretty dresses for the red carpet and have experts do my hair and makeup.
At home I wear my own clothes, no makeup and don't do anything exciting with my hair. I get to borrow pretty dresses for the red carpet, and have experts do my hair and makeup.
For me, in my normal life, I'm very all-or-nothing. I'm super comfortable dressed to the nines - full hair and makeup. I love feeling really done up. And I love feeling undone. I love sweatpants and my hair in a topknot. I go with no makeup. Or I have a full look.
I went to go see 'Final Destination' which you have to be 17 and over to see and they're like 'Uh, we need to see your I.D.' Here's the really funny thing is that I actually had done my hair and makeup that day. If I don't do my hair and makeup I can understand it but I had actually made an effort to look older.
I didn't understand why people cared about my hair or my makeup or my clothing. It was like, 'I'm a prosecutor. I'm not a model. I'm not an actress.'
I strangely feel better before I go through hair and makeup. Maybe that's just because I feel like me.
I think I've been mildly obsessed with my hair. I don't think I have a hugely adversarial relationship with it. One my essay is about my decision to keep coloring my hair once it started to go gray, but once I wrote the essay - once the book was in production - I decided to go gray.
Looking back at old-school pictures, I never had a hair or makeup person. I wasn't required to wear a lot of hair and makeup. I was never really allowed to do that because it was the image.
Once the makeup is on, it's a collaborative process but it's pretty neat to have the makeup sort of speak to you when you look in the mirror and see how the face moves. For me, the personality comes through that makeup and that exploration of how it all looks and moves. You try to make it more unique than just a human with a mask on.
When I go into 'You're the Worst,' I'm very glammed up, and my hair and makeup is va-va-voom. Now what I'm having fun with in 'Grease' is, honestly, I go to rehearsals with zero makeup. When I get pimples, I get excited about it, like 'Yay! It helps the character!' The frumpier and uglier and grosser, the better with Jan.
Once you become a professional athlete or once you do anything well, then you're automatically a role model ... I have no problem being a role model. I love it. I have kids looking up to me and hopefully I inspire these kids to do good things.
I always had to fight. I still do, believe it or not. When I had to go backstage. Even in Paris, I remember Billie Blair - a great model at the time - had to sneak me in by telling people I was her hairdresser. But her hair was so short, practically shaved. I said, "Couldn't you say I was your makeup artist?"
For filming, we have to wear a lot more makeup than we usually would. At night, I have to go home and take off all the makeup and take my hair out from my bun and just get out of the dancewear and everything.
The last thing we need is yet another makeup company. Even I have a nervous breakdown when I go through the department store makeup floor.
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