A Quote by Bruce Springsteen
The different social forces that affected my parents' lives or my friends' lives or I saw around me became essential for me to write about.
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I came to the realization that I had failed in some respects because I had been more of a benevolent narrator than the world I saw reflected around me, and in the lives of the people in my community, and in my family. There was no benevolent God sparing us pain and loss and grief and struggle. If I was going to continue to write about the place where I am from, and the kind of people who live in my community and who are in my family, I owed it to them to be honest with what our lives are like.
I see the world as an adventure thriller and a voyage of discovery. To me, all lives are lives of mystery and secrecy, and that's what I write about.
On to the Next Dream became about much more than me facing a challenging situation; it became about how all of us feel when we're thrust unexpectedly into change. It's about how we all hold onto personalized visions of our lives, our city, and our culture, and what we do when reality forces us to confront the impermanence of those visions.
I became friends on a social basis with a music professor (Dr. Alan Stein) who took a real interest in my work. He encouraged me in countless different ways, urged me to try different arranging styles, etc.
Young people know how important it is for dads to be involved in their lives. As I travel the country and talk with students, some of them tell me that their lives would be totally different if their father was around.
When you read about the lives of other people, people of different circumstances or similar circumstances, you are part of their lives for that moment. You inhabit their lives, and you feel what they're feeling, and that is compassion. If we see that reading does allow us that, we see how absolutely essential reading is.
All conflicts are different, and yet the victims are always the same. They are people, just like you and me, but whose lives are deeply affected by violence and war.
I'm in this sport to change my life. I'm in this sport to change my parents' lives and the loved ones around me. That's really what I care about. And I can't do that if they keep putting me on these prelims.
I grew up with a sense of tolerance. I don't know that there was any talk about gender differences. It was respect for people. So when I became a professional and saw that there were a lot of differences in the sense of how people lived their lives, I became respectful of their territory, of their thoughts and their ideas, and it was never a problem for me to feel that this is my sister, this is my brother.
My Mom and Dad, I saw them struggling in their lives for me and my brother Ankur Tiwari. They struggled so that we could enjoy our lives.
I began my career as an economics professor but became frustrated because the economic theories I taught in the classroom didn't have any meaning in the lives of poor people I saw all around me. I decided to turn away from the textbooks and discover the real-life economics of a poor person's existence.
But being able to talk to so many patients from so many walks of life gives a tremendous window into people's lives. This is not to say I want to write about individual patients, but I think that after listening to the concerns of people who are so different from me, I can more realistically portray characters who are so different from me.
Progressive art can assist people to learn not only about the objective forces at work in the society in which they live, but also about the intensely social character of their interior lives. Ultimately, it can propel people toward social emancipation.
Lance Armstrong showed up, and I started talking to him; I saw all these people with cancer who followed him to Paris for the Tour de France, and I saw the difference he was making in their lives. That put it together for me...having it be not so much about me, but [my being] a vehicle for it.
I've always thought if you don't like what somebody says, don't hang out with that person. Why do you have to complain about it? Here's the thing. I don't hang out with, and I'm not friends with anybody that would offend me or I think offends me or lives a different way than I do.
What makes me write is the rhythm of the world around me - the rhythms of the language, of course, but also of the land, the wind, the sky, other lives. Before the words comes the rhythm - that seems to me to be of the essence.
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