A Quote by Bryan Fogel

Getting a movie made is a miracle... because the studios are only interested in making 'The Avengers.' — © Bryan Fogel
Getting a movie made is a miracle... because the studios are only interested in making 'The Avengers.'
I'm interested in the kind of anti-establishment ethos that goes with making an independent movie. I like to bring that to studio films - usually to the consternation of the studios.
Movie studios, Hollywood studios, by and large are not making the kind of movies that I go to see.
Now because he saved the day they're making another solo Hulk movie after the second Avengers comes out.
I have been an Avengers fan since the middle 1960s. I grew up with them, and I've imagined a hundred different versions of an Avengers movie. I think I even have a script I wrote back in eighth grade, 'Avengers vs. the Mole Man.' Truly dreadful, but a work of love.
I always used to wonder why American actors were getting fat, then I made a U.S. movie. I'm seeing all the food every day, and there's lots of waiting around because making an American movie is very slow.
Disney is a huge presence when it comes to fairy tales because he’s made of them such brilliant artifacts in terms of movie-making. But it’s very hard to ignore what he’s done to them. I'm not interested in denigrating Disney or even commenting on him very much. I'm more interested in seeing what I can do with the stories myself.
We'd go to studios with ideas to do movie musicals and they'd literally kick us out. They said, 'Audiences aren't interested in movie musicals. You're wasting our time.'
There's not one film that I've ever made that could get made today by a studio, not one - even 'A Few Good Men' because it's an adult courtroom drama, and studios do not make them any more. And so every movie that I make, have made and will make is always going be independently financed.
If I have a male protagonist, it's a studio movie, and if it's a female protagonist, it's an indie movie. That's just how it is. It's not about the studios. It's about America and who goes to see movies. Women are interested in men and women, and men aren't interested in the woman's story. They just aren't.
I like being able to bounce between writing movies for people like Kevin Sorbo to making very personal films like orange county hardcore sinister to making a movie like [Wyatt Earp and the Holy Grail: The Tale of the Three Gates], which is made for the pure pleasure of getting together with creative people and making a movie. Alex Cox would be proud.
All the interesting films are now being made by their subsidiaries for very low budgets. But the studios are not making money. They're making these big, very expensive pictures that take a lot of money but don't really pay for their costs. So they're having a very difficult time. I can see the system breaking down. I think the American studios are a reflection or a metaphor for American industry altogether, which is failing in the world. Its economic domination is being broken down and I think the same thing is happening to the studios.
Life is a miracle; walking is a miracle; watching the sunset is a miracle; everything is a miracle, because existence is a miracle!
The studios don't seem to foster good writing. They're not so interested in that, but they're more interested in what worked most recently. They're definitely very serious about making money, and that's not a wrong thing, but you don't have to make money the same way all the time.
I visit studios. Just to get the feel, the smell, and see what other people are doing. Not only listening to the radio, but going to studios, greeting musicians and artists, just getting a vibe.
Acting is always the priority and I love doing what I do, but I'm also very interested in directing and writing and getting a hand in every part of the movie making process.
When you make a movie, it seems like there's nothing but resistance. It's kind of a miracle that any movie ever gets made.
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