A Quote by Bryan Konietzko
Mike and I figured out a lot about the world, characters and story in the initial two weeks between creating 'Avatar' and pitching it to Nickelodeon.
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Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
I think Mike and I would absolutely love to do feature animation. Either another story, or it if worked out, one in the 'Avatar' world. We would be really excited.
In writing the new films, I’ve come to realize that AVATAR’s world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
I figured out in my thirties it was about 'what can I contribute'? And what I figured out about that is creating something from scratch, and connecting it to people.
When Nickelodeon, in 2009, told us they wanted us to come back and do another series where we could do whatever we wanted, the first thought we had was: Let's do a story about the next 'Avatar.' That was the first thought. The second thought was: Let's make it a girl.
I like to write short stories more because I never met a writer who wasn't lazy. And a short story is, by its very definition, short. It is something that generally you can turn out in a week to two weeks depending on how well it goes for you. But, at the same time, it gives the same satisfaction of creating a complete world.
Before you start production, you have characters you have created without actors in mind, then all of a sudden you've got actors. They bring an enormous amount in creating these characters, and creating the dynamics between the characters that you've written.
The remarkable thing about 'Avatar' is the degree to which the technology is integral to the story. It is important to show Pandora and its Na'Vi natives in 3-D because 'Avatar' is fundamentally about the moral necessity of seeing other beings fully.
All characters come from people I know, but after the initial inspiration, I tend to modify the characters so they fit with the story.
The story of the memoir is a story of me creating certain narratives so that I could live with my own experience and with the uneasy relationship between what I was doing and what I believed in - or what I saw as an uneasy relationship between those two things.
For any actor, when you're playing twin brothers, you have to be able to find the similarities between them as well as creating a difference between the two characters. If they just looked the same, what would the point of that be?
'Farscape' is a story about family. It's a story about creating life in a harsh environment. That's what a lot of people relate to in the story.
I made the rules I figured I could be the one to break them. I thought I would write about xenophobia, a hatred of foreigners. After I stated writing the story there was not a foreigner to be had. I did not want to just stick one in there so I could get a title out of it since it seemed like cheating. I never figured out how I could get out of this dilemma so I just called it X and weaved X traits into the story.
Mike and I were really interested in other epic 'Legends & Lore' properties, like 'Harry Potter' and 'Lord of the Rings,' but we knew that we wanted to take a different approach to that type of genre. Our love for Japanese Anime, Hong Kong action & Kung Fu cinema, yoga, and Eastern philosophies led us to the initial inspiration for 'Avatar.'
'Avatar: The Last Airbender' creators Mike DiMartino and Bryan Konietzko have, along with their team, painstakingly planned out the Avatarverse.
When I'd be out-and-about at a club and the music would come on, I was never the guy that was gonna dance. But after Magic Mike - I have like two or three go-to moves. That's what Magic Mike gave me.
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