A Quote by Bryan Konietzko
Aang was an airbending prodigy, but didn't even discover he could bend the other three elements on his own; whereas Korra was bending three of the elements at age four.
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Many years ago it was taught that plants and animals were composed of different materials: plants, of a chemical substance of three elements,- carbon, hydrogen, and oxygen; animals of one of four elements, nitrogen being added to the other three.
If you have five elements available use only four. If you have four elements use three.
To our senses, the elements are four and have ever been, and will ever be for they are the elements of life, of poetry, and of perception, the four Great Ones, the Four Roots, the First Four of Fire and the Wet, Earth and the wide Air of the World. To find the other many elements, you must go to the laboratory and hunt them down. But the four we have always with us, they are our world. Or rather, they have us with them.
In a lot of ways, their journeys are opposite of each other's: Aang was a peace-loving monk, through and through, whereas Korra is a dyed in the wool fighter.
The elements which determine the make of any particular sermon are three; the preacher, the material, and the audience; just as the character of any battle is determined by three elements; the gun (including the gunner), the ammunition, and the fortress against which the attack is made.
A graceful and blessed old age must have three elements in it: a happy retrospect, a peaceful present, and an inspiring future. And old age cannot have either one of these three if the youth has been wasted and manhood has been misspent.
Aang is an Airbender, and he became the Avatar after the last one died. He has to realize his destiny as the Avatar by mastering all of the elements - earth, fire and air. For me, I feel like I'm mastering all the different styles or elements of MMA. It's my destiny to become the Avatar of this game.
Wyatt Earp and the Holy Grail: The Tale of the Three Gates is a look at humankind's relationship to the elements which surround them. Oftentimes, these elements encroach on them in a way that is not normal.
The masses in any given place are generally composed of three parts, the relatively active, the intermediate and the relatively backward. The leaders must therefore be skilled in uniting the small number of active elements around the leadership and must rely on them to raise the level of the intermediate elements and to win over the backward elements.
But I don't think I have any particular talent for prediction, because when you have three or four elements in hand, you don't have to be a genius to reach certain conclusions.
The script, I always believe, is the foundation of everything. And if you don't connect to that foundation, if you don't believe in that and feel that you wanna spend three, four months of your life exploring it, then all of the other elements are secondary.
Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.
The force that unites the elements to become all things is Love, also called Aphrodite; Love brings together dissimilar elements into a unity, to become a composite thing. Love is the same force that human beings find at work in themselves whenever they feel joy, love and peace. Strife, on the other hand, is the force responsible for the dissolution of the one back into its many, the four elements of which it was composed.
It's three disparate elements: the stop sign, the stage paintings, and the skeleton paintings. Those are three sharp ideas, although none of them are necessarily good ideas. Tons of artists have made whole careers out of those three ideas.
The devil has made it his business to monopolize on three elements: noise, hurry, crowds. He will not allow quietness.
The social dynamics of human history, even more than that of biological evolution, illustrate the fundamental principle of ecological evolution - that everything depends on everything else. The nine elements that we have described in societal evolution of the three families of phenotypes - the phyla of things, organizations and people, the genetic bases in knowledge operating through energy and materials to produce phenotypes, and the three bonding relations of threat, integration and exchange - all interact on each other.
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