A Quote by Bryan Konietzko
I think Mike and I would absolutely love to do feature animation. Either another story, or it if worked out, one in the 'Avatar' world. We would be really excited.
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Mike and I figured out a lot about the world, characters and story in the initial two weeks between creating 'Avatar' and pitching it to Nickelodeon.
I love hand-drawn animation, but I have to say I have fallen in love with CG animation. What you can do in terms of visuals is pretty stunning, and I think if I did go back and do a hand-drawn animation, I would want to make sure that, from a stylistic standpoint, it would be as beautiful as 'Hunchback of Notre Dame' at least!
Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
I would love to do some type of action feature. That's my goal. A really cool, Transformers-type feature would be awesome.
I would absolutely love to wrestle Sami Zayn because he's absolutely one of my favorites to watch. I think me and his style would just work. That would definitely be a dream match of mine.
How mad would it actually be to do an 'Avatar' type animation film, but about something mundane like a Winn-Dixie cashier's day at work? That'd be something else, I think.
Mike Nichols asked if I would do The Birdcage. Mike and I are dear friends but he had never offered me a feature role in a movie. My television career opened other doors for me.
Mike Nichols asked if I would do The Birdcage. Mike and I are dear friends but he had never offered me a feature role in a movie. My television career opened other doors for me
My debut feature, 'The Baby-Sitters Club,' got good reviews and made good money for what it cost. But it took me six years to get to direct my second feature. I think a guy would have had another movie out the same year.
I'm a movie buff. My mom would take me to a double feature. We'd come out, go have Chinese food, and then go back into another cinema and see another double feature. I feel I'm a child of the movies.
I believe in 3D for certain kinds of films. I certainly believe in using 3D for all things in animation because animation has such clarity and so much depth of focus. It worked great with 'Avatar' because 70 percent of that film is animated.
The format of the book was the idea of my wonderful editor, Stephen Segal. Stephen and I had worked together before, on projects for the Interstitial Arts Foundation, and when he got the idea for an accordion-style book, he called and asked if I could write the story for it. I told him that I would love to try! And I knew it had to be a love story, because that's the sort of story you really want to hear from both perspectives. I mean, imagine if Pride and Prejudice were told from Darcy's perspective as well as Elizabeth's. It would be quite a different story!
I would love to direct a feature and have Robert Connolly produce it. That would be really fab.
What we did with Avatar, if you really look at it, we took things that are out there in the world every day, we just made them bigger, shinier. ... But all our inspiration comes from the real world. So if you really look, you can see all those things around you, and I would just encourage people to get out and look for it.
If I could be any avatar and go into a social virtual space, I think I would try to be my avatar from 'Ready Player One' 'cause why not? He's already got the windy hair.
If you look at 'Avatar,' could you imagine if you did 'Avatar' for 50 million dollars? It would be ridiculous! You would almost be getting laughs from the audience, unless you got a real indie director to do something incredibly stylised.
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