A Quote by Bryan Konietzko
'Korra' is its own series. Obviously it's tied in, in the same world, a similar story, but it's not just 'Book Four' of 'The Last Airbender.'
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Perhaps there's another, much larger story behind the printed one, a story that changes just as our own world does. And the letters on the page tell us only as much as we'd see peering through a keyhole. Perhaps the story in the book is just the lid on a pan: It always stays the same, but underneath there's a whole world that goes on - developing and changing like our own world.
'Avatar: The Last Airbender' is, to my mind, the greatest American animated series ever produced. The characters lived and breathed.
I like the idea of standalone novels. I always found with series of books, it's something that publishers love obviously because they can make a lot of money and they build an audience from book to book, but I don't like that as a writer. I prefer the idea of just telling a story, completing it within your book, and moving on and not forcing a child to read eight of them.
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
Perhaps the story in the book is just the lid on a pan: It always stays the same, but underneath there's a whole world that goes on - developing and changing like our own world.
It is a long story how we finally ended up with the title simply being 'The Legend of Korra,' but in a poetic way, I think Korra's big Type A personality willed it to happen!
Book 4 is the end of the 'Korra' series. So we've got 52 episodes planned. When all is said and done it will have taken I think about five years to make.
I think each book sort of finds its own theme as it goes on. 'Warded Man' was fear. 'Desert Spear' was exploration of the other. 'Daylight War' was relationships. Some of this is intentional, and some of it evolves naturally. The series as a whole is obviously something I have given a lot of thought to, but each book is its own animal as well.
Since each story presents its own technical problems, obviously one can't generalize about them on a two-times-two-equals-four basis. Finding the right form for your story is simply to realize the most natural way of telling the story. The test of whether or not a writer has defined the natural shape of his story is just this: After reading it, can you imagine it differently, or does it silence your imagination and seem to you absolute and final? As an orange is final. As an orange is something nature has made just right.
My advice to aspiring writers of fantasy trilogies or series is that each book needs two main plots. There's the 'big story', the over-arching grand plot of the entire series, and there is the complete-in-itself, one-book plot.
As we wrote 'Book 1,' before the audience had ever laid eyes on Korra and Asami, it was an idea I would kick around the writers' room... The more Korra and Asami's relationship progressed, the more the idea of a romance between them organically blossomed for us.
I usually have about four books on the go - a bedside book, a lavatory book, a downstairs book, and the book in my study that I read sneakily while I should be writing. Short stories for the lavatory, obviously.
The word "story" is short for the word "history." They both have the same root and fundamentally mean the same thing. A story is a narrative on an event or series of events, just like history.
The hottest new attraction at Disney World has got to be the new Last Airbender ride.
For me, as a fan, when I read book series, I tend to be the most judgmental of the last book.
I once wrote a short story called 'The Best Blues Singer in the World,' and it went like this: 'The streets that Balboa walked were his own private ocean, and Balboa was drowning.' End of story. That says it all. Nothing else to say. I've been rewriting that same story over and over again. All my plays are rewriting that same story.
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