A Quote by Bryan Singer
There's no point in making films unless you intend to show us something special, otherwise just go out and watch a play. Kubrick showed us something special. Every film was a challenge, and a direct assault on cinema's conventions.
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Kubrick showed us something special. Every film was a challenge, and a direct assault on cinema's conventions.
There's no point in making films unless you intend to show us something special, otherwise just go out and watch a play.
I'm growing up in Detroit, Michigan, both of my parents were gun owners, and that they taught us how to safely and carefully utilize them, because we had businesses, and they showed us out of a sense of protection. But that was something that was used to never use a gun unless you intend - never play with a gun unless you use it to intend - intend to use it. But it was for protection only.
The whole point of making a film is to tell a story. That seems to be forgotten. Many films today just rely on special effects and they have an explosion every five minutes. Who needs it? It's rather repetitious.
When something special happens in wrestling, it's that much more special to me and for me to go, 'That was awesome,' because I'm as bitter as there is, so if you can get me to go, 'Woah, that was cool,' a couple of times, it's a special show.
I try to express in my films things that no other art can approach. In my monster films for example, I use special effects in the same way one would use a special film stock, a special camera, and so on. Monster films permit me to use all of these elements at the same time. They are the most visual kind of film.
I don't even watch many huge films. I don't go to the cinema every weekend. I watch selective cinema and want to make my kind of films.
Film fests are an opportunity to see different kinds of films that you usually don't get to watch. When I'm part of a jury, then I get to judge films, but otherwise I attend festivals to watch two or three films a day and network with a gathering of cinema lovers from all over.
I think as an actor it's always a challenge to experiment and play something that you're not. What's the point if I play Shefali in every film?
I'm an actor who loves to direct film, if I find something that I'm compelled to do and want to spend three or four years doing. I really love the process, though. I might have to just say, "Yeah, I want to direct that," because I want to direct something, but that's just not the way my being is. It's got to be a necessity for me, otherwise I'll just keep acting.
Desire is a teacher: When we immerse ourselves in it without guilt, shame, or clinging, it can show us something special about our own minds that allows us to embrace life fully.
I guess that from the moment we are fed by our mothers, without even knowing it, we are caught in a net that brings us comfort, something we always feel when a special woman cooks for us. It is something unique and personal - it is something we want to keep for ourselves.
Kubrick never explained the ending to us, or what his intentions were. He didn't intend for it to be a predictable film.
In letting go of wanting something special to occur, maybe we can realize that something special is already occurring.
Turkey was fantastic, Turkey was like mystical and such a special place. Just unique, something that's really hard to describe, such beauty, those mountains and the stone is kind of, eroded? Special erosion which makes what you see just something that seems, it's been made for a movie, it's like something out of fantasy except it's real.
Turkey was fantastic, Turkey was, like, mystical and such a special place. Just unique, something that's really hard to describe, such beauty, those mountains and the stone is kind of, eroded? Special erosion which makes what you see just something that seems, it's been made for a movie, it's like something out of fantasy, except it's real.
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