A Quote by C. S. Forester

Everything was in stark and dreadful contrast with the trivial crises and counterfeit emotions of Hollywood, and I returned to England deeply moved and emotionally worn out.
But, especially in love, only counterfeit emotions exist nowadays. We have all been taught to mistrust everybody emotionally, from parents downwards, or upwards. Don’t trust anybody with your real emotions: if you’ve got any: that is the slogan of today. Trust them with your money, even, but never with your feelings. They are bound to trample on them.
Titus belongs to 'Unbreakable Kimmy Schmidt,' Titus Andromedon. Tituss Burgess couldn't be more different. I get how people think I'm one and the same, but I just don't live there. I'm nothing like that man, and whatever I would do wouldn't be in stark contrast just because, but because I'm in stark contrast, it would be different.
A man can counterfeit love, he can counterfeit faith, he can counterfeit hope and all the other graces, but it is very difficult to counterfeit humility.
When my sister moved to Mumbai to pursue a career in Bollywood, I was interested in Hollywood. Quite a contrast, right?
The emotionally intelligent person is skilled in four areas: identifying emotions, using emotions, understanding emotions, and regulating emotions.
I think the thing that impressed me the most was the Lunar's sunrises and sunsets. These in particular bring out the stark nature of the terrain. . . . The horizon here is very, very stark, the sky is pitch black and the earth, or the moon rather, excuse me, is quite light, and the contrast between the sky and the moon is a vivid dark line.
The teens are emotionally unstable and pathic. It is a natural impulse to experience hot and perfervid psychic states, and it is characterized by emotionalism. We see here the instability and fluctuations now so characteristic. The emotions develop by contrast and reaction into the opposite.
I was brought up in a fairly emotionally repressed kind of society in Northeast England where one didn't express emotions and was expected to keep a stiff upper lip.
I moved south when I was 11 years old, moved to England. I've lived in all kinds of places, all parts of England.
'Up the Junction' went on to inform my love of British social realism. It was the first film I saw of this ilk, a very stark, visceral reflection of England, an England I didn't necessarily feel a part of but that I knew was out there. You could almost smell the bread and butter and cabbage.
You know what I'm great at? Trivial Pursuit. What good is that gonna do you in life? It has the word 'trivial' in the name. The game is basically telling you that you pursue trivial things. Trivial - as in not important. Trivial - as in maybe you should've gone to grad school.
When I get a very generous introduction like that I explain that I'm emotionally moved, but on the other hand I'm Irish and the Irish are very emotionally moved. My mother is Irish and she cries during beer commercials.
I now let go of worn out things, worn out conditions, and worn out relationships. Divine order is now established and maintained in me and in my world.
There could not be a more stark contrast between Wisconsin and Illinois.
I am conscious that each film I do is in stark contrast to the earlier one.
Political pendulums swing hard and feed on stark contrast.
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