A Quote by C. S. Lewis

Very often the only way to get a quality in reality is to start behaving as if you had it already. — © C. S. Lewis
Very often the only way to get a quality in reality is to start behaving as if you had it already.
What the Metaphysics of Quality would do is take this separate category, Quality, and show how it contains within itself both subjects and objects. The Metaphysics of Quality would show how things become enormously more coherent-fabulously more coherent-when you start with an assumption that Quality is the primary empirical reality of the world. . . . . . . but showing that, of course, was a very big job. . . .
Change can come in either of two important ways: Start behaving positively or stop behaving negatively.
We've often gotten the rep for being a player's coach. 'Talk sweet to 'em all the time.' In reality, we're very disciplined, very demanding. You can only be that way if you're fair and you're consistent.
The true'to put it very briefly, is only the expedient in the way of our thinking, just as 'the right' is only the expedient in the way of our behaving.
The buildings that I build very often have a dreamlike reality. I don't mean by that they have a fantasy quality at all, in fact quite the reverse. They contain in some degree the ingredients that give dreams their power... stuff that's very close to us.
With fiction, I tend to get to my desk and start writing. Poetry I write in my head, often while walking, so that my poems have an organic quality, hopefully.
Period films to me are very often alienating to the audience. There's very often a formality. A staunchy quality to them that comes from the misenscene. It also comes from the performances of the actors, because they're acting Victorian which really means that they're just acting the way they've seen previous actors act Victorian.
I've never been very comfortable as an actor looking out into the audience; I always like to keep my focus on the other person. When you start playing out to the audience, it takes me out of it, because people don't do that when you're in life behaving with another person - you don't often look out, around you, in a presentational manner.
Once you start losing reality, when you start losing reality with yourself, sometimes people just get dizzy.
Casting is always critical but in this case, 'The Way Back', I was looking internationally to a degree for an interesting mix of gentlemen, Irish, Polish, Russian and American. Not many people had the qualifications, people who would play the game, particular to this industry. So I had to research amongst the cast. They had to be very very prepared as we had to start shooting as soon as we could, there wasn't any time to talk, and there would only be three or four takes.
I believe in method acting. Whenever I'm working on a character, I start behaving like him. I start doing these things which the character would normally do. Maybe that's the way I function as an actor, and I believe in it. And that's how I try and portray a character.
I think people often miss the fact that things often start in a swashbuckling like low cost just get it done kind of way, even when they grow into these iconic brands.
I did a lot of research on villains, and guys who start behaving nefariously didn't start out as bad people. My research indicates that all of these people were scorned and hurt by love. Darth Vader didn't start off as a bad guy. He was a good guy. Only when Natalie Portman betrayed him, did he go to the dark side.
If you're Australian, you feel it in your bones because you're at odds with everybody else, except other Australians, in the sense that people always seem to be behaving strangely. People always seem to be behaving the wrong way, in a different way. You say things and there are silences.
I think any start has to be a false start because really there’s no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it’s really a false start is when you start … it’s hard to put into words.
People have learned to escape Reality very well but too often lose their way back.
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