A Quote by Cameron Crowe
That's how I am as a director - if somebody does a really good take, I can't help it, I'm not even aware of it. Actors really, really need positive reinforcement.
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In the life of a director - these days in particular - when it really does take so long to do a movie, with a few exceptions, actors may never work with a director again, even if they're great friends.
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful thing for a director to have experienced that. It helps you know how to talk to actors and how to get what you need from them.
My mum will always come and see my shows if she can, and if she can't, she'll text or email just before wishing me a great show and telling me how much she loves me. She still gives tonnes of positive reinforcement and love. It's really remarkable what that does for a child, and it's really remarkable what that does for me as an adult.
I've been really fortunate where I've made stuff that connects to people on a positive level, and that makes me feel really good, but I can't feel comfortable in dictating what they're supposed to feel out of it, nor am I a professional in something where I can really help people any farther than creating the things that I make to help myself.
Your actors need to trust you as a director, but normally, I think you just need to have an open communication between the actors and the director. I think the director needs to really paint his or her vision to the cast and let them know the kind of mood that he or she is making. I think that's very important.
As soon as you're willing to humble yourself and say, God, please help - then you can find out that His strength really is perfect, that He really does care for you, that He does really want to meet your need.
When I was younger I didn't really know what a director did: I knew I loved movies and I figured the actors made it up! And then when you get to 12 years old you start thinking, What does a director do? It was really an organic beginning: this looks like something I want to do, I can't believe people get paid to do it!
Being an actor really, really strengthens me as a director. There's just a certain type of understanding that comes from having been there and knowing how much is really being asked of actors that helps me.
I think acting helps me as a director no matter what. There is something about being reminded about the vulnerability it takes to be an actor and what I'm really asking of actors every day when I'm on set as a director that I think it's a really good reminder.
I think I have to be aware of how much power words can have. And it makes me consider everything that I say before I say it, because you can really help a lot of people, or you can really, really mess things up.
When you're a director, you have great respect for directors. I am really pretty loyal to any director that I am working for and I want to help them realize whatever story and mood and tone that they're trying to realize. As an actor, you really just are a cog - you are an important cog, but you are just a piece of the machine.
It does feel really good to sing songs about somebody that I really respect, admire, love, care about and am so passionately attracted to after all this time.
Before even considering an exercise and nutrition program, I recommend that the person put on some swim trunks and have somebody take a photo of them. Then take a good look and ask yourself: Is this who I really am? If you don't see yourself as that, you have the opportunity to change it. But you need to change your mindset.
Working with [Kyle Chandler] in the scene was like playing tennis. You work with really talented actors, I think they make other actors look really, really good.
Some people are so special, so beautiful and have so much to offer this world. Sad thing is they just don’t see it. They need positive reinforcement. Tell them, 'If you could see only half of what I see in you, then one day you'd realize how truly amazing you really are.
The quality of writing attracts me to films, also who the other actors are, who the director is, where it's being shot. Any or all of those things. But if the writing is really appalling, then the money had better be really good. Sometimes you say yes to something you wouldn't always do because you need the money.
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