A Quote by Camille Kostek

I was a dancer, so I always loved watching girls perform and dance and just always looked up to them and their bodies. — © Camille Kostek
I was a dancer, so I always loved watching girls perform and dance and just always looked up to them and their bodies.
I always loved performing! My mom said anytime there was an opportunity to get up and perform I would! I would volunteer to go up on stage at Disneyland when I was 2 or 3! I just always loved making people laugh or just entertaining them.
That's what I've wanted to do my whole life, just act. When I was younger, I loved to entertain people. I always used to make up dance routines, do little plays. I love to perform, basically.
For the Indian,dance is a personal form of prayer. When the Eagle Dancer puts on his costume,when he begins to dance to the music,he doesn't simply perform it; he actually becomes the eagle itself. The dancer is virtually inseparable from the dance.
What I found interesting in dance is the idea that my work has always been dealing with the nervousness between the human subject as a subject and the human subject as a form. And if you look at my dance films, there are always these cuts between the dancer as a form, the dancer as a subject, and this kind of very harsh treatment of the dancer as someone who's actually drawing with their body.
Forget the dancer, the center of the ego. Become the dance. Then the dancer disappears and only the dance remains. Then the dancer is the dance. There is no dancer separate from dance, no dance separate from the dancer.
I always loved that tragic look, the bigger-than-life women. They always have those big glasses and scarfs on, and doctors and nurses always around them. You felt sorry for them, but they had their lips together, no matter what was happening to them. They always looked like movie stars.
Basically, I grew up watching Carter girls on stage, watching my grandmother, my mom and my aunts perform. They used to say, 'Okay, Carter girls, you're on!'
I never did standup before. It just looked like it was really hard, looked like there was like up days and down days - and I'm too emotionally unstable for that. I need to always be funny and always be loved.
I wasn't a dancer learning to play Baby Houseman. I was Baby Houseman learning to play a dancer. I was someone who'd never done any Latin dance. I'd taken jazz classes and ballet growing up in New York, so I had dance in me, and I knew I loved it, but I'd never done a dance audition.
I have always loved contemporary dance, but it has always been a bit of a mystery to me. But choreography is very much like what I do when you are putting characters in frame on the page. It's so impressive what they do with their bodies. It's like painting: an abstraction.
Dance was always part of my life because I was a dancer and my mother was a dancer, and I love the theater.
I always say that I was dancing and acting in the belly. I feel like it's something I was born with and inspired by my family since I grew up backstage, watching them perform. I guess it was just a natural path for me.
When I was younger and first started watching MTV I loved watching TRL. I loved watching my favorite singers/bands perform.
Boys. Listen up. We are going out for a girls’ night, where there will be dancing.” Kami did an illustrative shimmy. Angela looked resigned. Jared looked amused. “What was that?” “You’ve got to dance like nobody’s watching, Jared,” Kami informed him. “Have you considered that perhaps nobody’s watching because they’re too embarrassed for you?” “Fine,” said Kami, grinning at him. “Be a hater of dances. Be a hater of joy. I don’t care. You’re not invited!
I always loved reading. I always was the spelling bee champion. I always loved words. I always wanted to know what they meant, why you used them, who first said them. I was always interested in that.
I grew up going to see my sister dance, both at the ballet and later as a modern dancer, and have always been a big fan of the ballet. So I have had a long relationship with dance.
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