A Quote by Camille Kostek

There's definitely been times when I've been on sets and I was the bigger model in the room, where they're casting girls. — © Camille Kostek
There's definitely been times when I've been on sets and I was the bigger model in the room, where they're casting girls.
I think the one thing that I've experienced with American films is just that the size tends to be so much bigger, the budgets have been bigger, the size of the sets have been bigger, the number of people working on them is bigger, but that's not to say that I haven't been able to get close to people or develop good relationships.
I've been on sets where the turnaround is so fast and the budget so small that the actors have been asked to speed things up and save money by changing in the public toilets. There's no room for vanity at times like that. It's the best way: get on with it!
On 'America's Next Top Model,' I mentor girls on television. When that TV goes off, I actually mentor other girls in the modeling industry - girls that have not been on 'Top Model,' but who appear in 'Vogue' worldwide.
When I'm sitting in a casting room in Paris, I'm not the thinnest model. Sometimes I'm not the most flat-chested, either.
There's definitely been times where there's stuff that I have not been comfortable with, and I've had to put my foot down.
It [RESIDENT EVIL: AFTERLIFE] has definitely been the biggest learning curve for me. As an actor, whenever I start on a movie, different things that I perform in ask for different skill sets. And this one is definitely the technological side of it. You have to hit your mark. You can't weave back and forth because your nose is jutting at you in 3-D. It's really been learning how to do that and also it's exciting to be on the forefront of this technology.
I'm definitely suspicious of girls. I've been suspicious of girls my whole life, though, so it's not anything new.
Lion Babe, on a work day, is definitely a process. I obviously could do it by myself, but I definitely prefer not to. It's a lot of hair. I used to start with little pieces, and then it just got bigger, and bigger, and bigger.
For so long, the model for writing has been, you sit in a room alone for a number of days or weeks or months or years and figure it out. But now, you don't have to do that; you don't have to be alone in the room anymore.
Listen, I've been pretty fortunate. And if I've been underrated, it's actually been something I've been able to work with; I can surprise people. It sets me up to exceed expectations, so I don't mind.
Love comes in all different shapes and forms - from friendship and sisters and mums - and as I've got older, I've definitely learned that some of my happiest times have been when I've been on my own.
Look around the room a few times a day as if you had just been born into that room.
I've definitely taken a lot of consolation from animals in my life. There have been times when I've been really sad, and they gave solace and comfort and companionability more than a person.
We've definitely been in a few positions where it's come down to the end of the race and we've been able to close the deal, and we've definitely been in position where we've lost a few.
I've definitely been obsessed with a couple of girls. They didn't work out.
It's been neat to find out different writing strategies. I've been in the room with so many different writers. Sometimes, you write with tracks, and other times, with acoustic guitars. That's been really a cool thing, because it brings out different lyrics with you.
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