Art historical reference is like learning to drive a car - you always know how to drive even though you're not analysing how.
You know how to drive a car, but you do not know how to drive your life!
I only drive in movies. I know that's very weird to hear for an American. I have a weird relationship with it. I know how to drive, but I never went to take the test.
Most people have no concept of how an automatic transmission works, yet they know how to drive a car. You don't have to study physics to understand the laws of motion to drive a car. You don't have to understand any of this stuff to use Macintosh.
Every single year, I tell myself I am going to drive. It never happens. I don't know how to drive. I am already 20. This needs to happen.
I now know what to do; I know how decisions can be made. I know how you can drive ministers and their departments to actually make decisions and bring results.
If you know how to set up the car, if you know how to work with the team, you know what you need to have a comfortable car to drive.
Should we have background checks, waiting periods? To drive a car you have to pass a test that shows you know how to drive your car safely, you should have to do the same thing with guns.
For better or worse, we have to bridge this divide between developing cars that drive by the book and cars that drive how you and I drive.
I don't know if you know this - I don't drive a stick. I mean, I barely drive my automatic. I get to work and everything, but I'm not any kind of driving prodigy.
I don't know that my schooling was conducive to wild ideas and creativity, but it gave me discipline, drive. They taught me how to think. I really know how to think.
I don't know how to drive a car.
I don't know who had the bright idea of teaching pneumonia how to walk, but I'd like to find that dunderhead before he decides he wants to teach it how to drive.
South Central Los Angeles [is the] home of the drive-thru and the drive-by. Funny thing is, the drive-thrus are killing more people than the drive-bys.
Being in L.A. has definitely given me the opportunity to experience how my music sounds in real life because I can drive around and listen to the mixes, which I couldn't do in New York. I get to feel how a song works in combination with a sunset and a drive through the mountains.
My drive is still cool, it's not like how when I first began. I don't think anyone's drive is the same.