A Quote by Cara Delevingne

I treat the camera like a person—I gaze into it. Photos are a flat thing, and you need to put life into them. — © Cara Delevingne
I treat the camera like a person—I gaze into it. Photos are a flat thing, and you need to put life into them.
I treat the camera like a person - I gaze into it. Photos are a flat thing, and you need to put life into them.
We're not going the photography route. I think there is a real distinction between photos and images, and Flickr is for photos, and Instagram is for photos. You wouldn't put a filter on a meme; you'd put a filter on top of a photo that came from your camera.
Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life.
Learning that aesthetic as a kid - seeing those photos - made me think that that's what photos are supposed to look like. I never understood snapshots. I was looking at them like, "This is horrible; that's not what a picture is supposed to look like." I was taught by these photos. So when I picked up the camera, though I had never done it before, I kind of already knew what I was doing.
We say justly that the weak person is flat, for, like all flat substances, he does not stand in the direction of his strength, that is, on his edge, but affords a convenient surface to put upon. He slides all the way through life.... But the brave man is a perfect sphere, which cannot fall on its flat side and is equally strong every way.
To me, the most important thing was to treat people the way you want to be treated. Some people say that I'm a mean person. Well, you know what? The person that's saying that is probably a dipshit and I put them in their place! I have a knack for doing that.
I take my camera pretty much everywhere and try to get the most diverse photos possible, since I get to travel to all the greatest cities in the country and see iconic architecture and things like that. I also like racing photos - like motorcycles, cars, stuff like that.
The camera has a mind of its own--its own point of view. Then the human bearer of time stumbles into the camera's gaze--the camera's domain of pristine space hitherto untraversed is now contaminated by human temporality. Intrusion occurs, but the camera remains transfixed by its object. It doesn't care. The camera has no human fears.
After my grandmother passed away, I felt the urge to take my camera to her flat. I knew this flat from my childhood in Tel Aviv. Going to this flat was like going abroad; there was a real feeling of traveling across Tel Aviv and ending up in Berlin.
Life was like a batch of biscuits without the baking powder: flat, flat, flat.
You need intelligence, and you need to look. You need a gaze, a wide gaze, penetrating and roving - thats what's useful for art.
There are a lot of things that got me into working with photos. The main thing is that I saw both what was being said and not being said with photos in the newspapers... I found out how you can fool people with photos, really fool them... You can lie and tell the truth by putting the wrong title or wrong captions under them, and that's roughly what was being done.
You think the only thing looking at you is this steel thing, but behind the camera is this living, breathing person operating the camera whose job it is to watch you.
Photos always seem to exist as sort of stuffy, unnecessary antiques that we put in a drawer — unless we take them out, put them in current dialogue, and give them relevance.
I've worked with actors who treat the first two takes like rehearsals. And that's okay. If the camera is on you and we're doing a scene where I'm off camera, I'm treating that as a rehearsal.
Most of the photos I take I don't post, so Instagram is not my thing. I like to edit them, make them look good, and keep them for myself.
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