A Quote by Cara Delevingne

Scorsese, Spielberg, Tarantino, Peter Jackson - all of you: I'm here, I'm ready. I can do funny faces, I can sing, I can dance. Hire me! — © Cara Delevingne
Scorsese, Spielberg, Tarantino, Peter Jackson - all of you: I'm here, I'm ready. I can do funny faces, I can sing, I can dance. Hire me!
Tarantino and Jackson is like Scorsese and DeNiro, and their silent communication.
Peter Jackson and Steven Spielberg are men at the top of their game, and Jackson especially is going to change the nature of film-making.
Martin Scorsese is doing a 3D movie (Hugo Cabret). A lot of amazing filmmakers are. Not just the obvious of Jim Cameron, but Spielberg is doing it and Peter Jackson has worked in it. In the hands of those types of people, it will just keep getting better and better.
You kind of forget he's Peter Jackson in a way because he's so normal; he's lovely. It's like having a friend direct you, except it's Peter Jackson.
Part of the reason I fell in love with dance so early was because of people like Janet Jackson, Michael Jackson, and Britney Spears. When they would dance onstage and in their videos, that was huge for me. I lived for that.
I saw 'Tintin' in Europe - it is 'Indiana Jones' on steroids. Unbelievable. What a fantastic movie. Steven Spielberg, you rock the house. And working with those young English guys like Edgar Wright, and also Peter Jackson; what a great combination.
I was asked to act when I couldn't act. I was asked to sing 'Funny Face' when I couldn't sing, and dance with Fred Astaire when I couldn't dance - and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.
I was asked to act when I couldn't act. I was asked to sing "Funny Face" when I couldn't sing and dance with Fred Astaire when I couldn't dance and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.
His (Lloyd Kaufman) string of low-budget, lowbrow horror comedies stretching back to the ’80s has been cited as influence by Peter Jackson, the Farrelly Brothers, Quentin Tarantino, Takashi Miike, and Guillermo Del Toro, just to cite a few prominent examples.
What always made me proud - almost blushing with pride - is that Francis Coppola, Martin Scorsese, Steven Spielberg all told me that 'The Conformist' is their first modern influence.
When people give me the choice to either sing or dance, I'd rather dance than sing.
Music was a big thing for me growing up and Scorsese and Tarantino both use music brilliantly in movies. They're probably two of the best at using music.
The idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really idolize is a dream for me.
When I was growing up, I wanted to be Michael Jackson. I used to sing and dance and perform with my sister at parties for 50p.
I'd love to work with Paul Thomas Anderson or Quentin Tarantino, but these are dreams I don't need to rush to achieve. I'll be ready to make those movies when I'm ready to make those movies and they're ready to make them with me, if they ever want to.
If I was working on Michael Jackson if he came back to life, I would be ready. I would be ready. 'The Resurrection' Michael Jackson album, I would be ready.
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