A Quote by Cara Delevingne

As a model, I really stand for not being a model, if that makes sense. When I started, the whole idea of the model was very different; it was a bit stuck-up. Not stuck-up, but no one was trying to have fun, or not even have fun, but be willing to smile.
As a model, I really stand for not being a model, if that makes sense.
A model is a good model if first it interprets a wide range of observations in terms of a simple and elegant model, and second if the model makes definite predictions that can be tested, and possibly falsified, by observation.
Every model aspires to get contracts, so I have been very lucky with Dolce & Gabbana to be able to get that before I even really started as a model.
You know, I do believe that China is emerging as a competitor, not just a competitor but, in many ways, an adversary. And, you know, the Chinese model is also being held up globally as an alternative power model, and I very much believe in our model versus theirs.
Being a teenage model was lot of fun, like playing dress-up. I'd feel ugly and awkward and chubby, and they'd transform me. Not that that makes everything better. Then my mom shopped the pictures around, I guess, and the agencies started calling. I wound up going with a little agency, Spectrum. It all happened really quickly, I started modeling for magazines like YM and Seventeen, and I did a couple of bigger things like Italian Vogue.
I never tire of the heroes that I knew growing up. The fun is not that much different from doing a television show: You're stuck with a certain set of rules, and then, rather than trying to break them, it's just trying to peel away and see what's underneath them. That to me is really fun.
I've done things that can be made fun of. It's not such a bad thing. If I'm going to end up a role model, then I'd rather not end up being the kind of role model that pretends to be perfect, and pretends that she always has the right thing to say. I'm a product of role models that didn't make me feel like I was as good as them.
I am just at that stage of wondering where I go from here. I came into this business almost by accident, but now it has become serious. What started as a bit of fun, something to do other than be a model, has taken on a different career curve. I have been forced to ask where that curve is going to end up.
People attach too much to the idea of being a model, that you can only be a certain way to have done it. You will always be dealing with it. You're an actor who used to be a model who never trained; there are not many directors queuing up.
There was a 3-foot-long model that was built for 'New Hope,' and then there was an 8-foot model that was built for 'Empire Strikes Back.' The 8-foot model and the 3-foot model are kind of different. A lot of the details are different between the two of them.
I was never a model-y model. I was doing it as a job, but people didn't even know I was a model.
People often ask me, 'Who is your role model?' and it sounds a bit cliche, but I've been trying to be my own model.
For years, I was stuck behind a keyboard rig. When I started playing guitar onstage, it was a bit of a release - not to be stuck in one spot the whole night. It's really enjoyable having the freedom to move around. You just have to remember to end up somewhere near a microphone.
The model a lot of companies use is a very pyramidal model which sort of designates that all creativity, all wisdom flows from the top. We think that's the absolute wrong model.
I would never be so arrogant to think that someone should model their life after me. But the idea of possibility the idea that I get to live my dreams out in public, hopefully will show to other folks that it's possible. So I prefer the term 'possibility model' to 'role model.'
When I wake up in the morning, do I think I'm a role model? Yes. I'm not trying to have a pristine image, because a real role model shows you to the good and ugly.
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