A Quote by Cara Delevingne

I grew up in the upper class, for sure. My family was kind of about that whole parties-and-horse racing thing. I can understand it's fun for some. I never enjoyed it. — © Cara Delevingne
I grew up in the upper class, for sure. My family was kind of about that whole parties-and-horse racing thing. I can understand it's fun for some. I never enjoyed it.
I think there's an assumption when you have a parent in the business that you're given some kind of a cheat sheet at an early age. Some kind of upper hand or some kind of advanced understanding of how the whole thing functions - maybe how to operate within it. I never felt I received that cheat sheet and grew up pretty removed from the business.
Mr. Cosby wanted to do a show not about an upper-middle-class black family, but an upper-middle-class family that happened to be black. Though it sounds like semantics, they're very different approaches.
I grew up in South Florida, and my family was pretty poor. We weren't your upper-class whites by any means.
It kind of hit me at some point during the process that most people in the film business - not just the executives, the people who make them, too - tend to come from pretty upper-class backgrounds. If they go work a job, it's to have that experience, that sort of thing. After they graduate college, they have time to go visit Europe and take some time off and get their heads together. That kind of thing, I sure didn't have.
I'm sure everything has a bearing on what I'm doing. My family is a lower-middle-class family, there's lots of children, seven brothers, two sisters grew up together, fighting with each other, went to school. My mother went to school up to 4th grade. My father went to school up to 8th grade. So that's about the education level we had in the family.
I grew up in a working class neighborhood in Sweden, which, during my teens, gentrified and is now completely middle class and even upper middle class.
I started to understand what the song could be about. The ache of nostalgia even for things we don't like, the commitment to keep moving despite that ache. It made me think of how I relate to my privilege - as a white person, as someone who grew up upper middle class.
I myself am consummately middle class. We grew up in upper-middle-class suburbs in Oklahoma City, and thats very much the same ethos as what Richard Yates and John Cheever wrote about.
We grew up in a middle-class family in Chicago. Even when we went on vacation as a family, it wasn't a really fun time, because my father didn't want to spend any money when we got there.
My brothers are so much a part of who I am, and such a large part of my heart and my drive. I've never had a kid, but I understand that whole, "I would kill for my family" kind of thing. I understood it, it resonated with me. It's a very primal, animal thing that you feel for your family.
I grew up upper middle class.
You're trying to figure out a way to meet a horse to where he can understand. And to me, it's not to train a horse, it's to try to get the horse with you where it's one mind and one body. You may spend your whole life chasing that, but it's a good thing to chase.
I grew up upper-class. Private school. My dad had a Jaguar. We're African-American, and we work together as a family, so people assume we're like the Jacksons. But I didn't have parents using me to get out of a bad situation.
I grew up upper-class. Private school, my dad had a Jaguar. We're African-American and we work together as a family, so people assume we're like the Jacksons. But I didn't have parents using me to get out of a bad situation.
I grew up in Solihull, on the edge of what was then the Birmingham conurbation. It was a good place to write comedy from. I didn't feel allegiance to anything. I didn't have working-class pride or upper-class superiority.
The upper class desire to remain so, the middle class wish to overthrow the upper class, and the lower class want a classless system.
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