A Quote by Carl Mazzocone
It's interesting most people don't really know what a producer does and really the producer is the very first person on-site and the very last one to leave.
Related Quotes
I think people really don't understand what a producer does versus what a director does. I mean, the producer is often the person that is on the movie the longest - it's their material that they are then bringing the director onto to bring it to the screen. Are we overlooked? Absolutely.
I love Deadmau5 as a producer, as a person. He's super interesting. He's very funny to follow on social media. But as a producer, he gets every single credit I can give him. He's nuts.
I think a lot of people who watch TV don't realize when they're watch TV shows and it says 'produced by' and producer, producer... there are all these producers. What the hell does a producer do? It's funny how much you have to worry about as a producer.
I don't think there's any show that really escapes it: It's very rare that a creative producer stays with the show. As soon as the producer leaves, they cut the budget.
Jerry Bruckheimer really is an executive producer, who obviously is the most successful producer in the history of film and television.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
And 'Sex & Drugs & Rock & Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way.
And 'Sex Drugs Rock Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way.
I was not, and am not, officially a producer of that film [I am love] but the work of what a producer does I learned at that stage and to a certain extent I've been a producer ever since.
But I really am very active in the choice of the line producer with the producer of record and the distributing company, because I've had some terrible, terrible experiences with some line producers, particularly in cable.
Being in L.A., it was really hard to find a country writer and producer. I eventually - years of searching - found this guy, Dan Franklin. He's an incredible musician and producer. We write so well together... It's been a really cool experience.
I am very filmmaker oriented, as a producer. I think the most important thing is that you have to really choose the players carefully.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I'm not a full-fledged producer, but I can be one if I want to really spend my time on straight being a producer.
For me able to do the records I want to do and not have to worry about this producer or that producer or that trend, I'm not really interested in that.
I think from the age of thirteen, I really wanted to be a producer and I've always thought that the producer was the top of the tree.
