A Quote by Carol Bartz
Organizations can get in the way of innovation, because if people are all bound up, and if they don't know if they get to make the decision or somebody else, and if they do, what happens to them, and so on and so forth.
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If you're living two lives and you're lying to everyone, you're bound to slip up, in some way, you're bound to get something wrong, and you're bound to get found out.
My dad always told me that the best way to get somebody to get at you is to talk bad about them to somebody else.
People are flawed. I like peaking into their flaws. The way to humanize them is not to play them in any general way, but to make them very specific. If you make them specific, they have hopes and dreams and loves and vulnerabilities and quirks and you get to know them and you get to appreciate them.
I feel like you have to make art because you have to make it. But the end result of it- that last stage- you have to show it to somebody else to hopefully get a rise or reaction out of them- [to see] if it’ll affect someone else.
The first thing you have to get when you play somebody iconic is you have to get lucky. More than anything else, you have to make a leap of faith and know that somewhere, the net will appear, and you'll find your way.
I'm referring to anybody who is trying to interfere with the process of interfering with what the will of the people are. It is the people who should make the decision. And whoever that decision is, the establishment needs to get behind them and push them, not be going in a different direction, there is no way that can be a successful startegy no matter what you believe or who is the candidate.
I'm able to lead my life as well as make a film. My wife and my friends and people around me know that I do tend to distance myself a little bit during the making of a film, but I have to, it's a natural part of the process for me because you are indulging in the headspace of somebody else, you are investing in the psychology of somebody else and you are becoming somebody else, and so there isn't enough room for you and that somebody else.
Eventually, to get through school, I would make good meaningless blobs if I had to. And so they thought I was falling in with them and stuff like that. But on the playground, kids would come up to me and say, "I need three Supermans and a Captain Midnight by four o'clock because I'm going to sell them to somebody else." So I'd take all their lunch money and whip these things out, and they'd have to stick them in their underwear to get the pictures home, because if the teacher ever found out about that.
Somebody has to give a wakeup call to our coaching world to ask them real questions and show them that if you have kids, then you know there is no way you can talk to somebody else like that, because that's somebody's child.
I'm just trying to be aggressive and make plays, but you watch film and you see that you can get off the ball get it to somebody else and let them make a play for you.
With the artists, I don't teach, I coach. I can't tell them how to make art. I tell them to make more art. I tell them to get up early and stay up late. I tell them not to quit. I tell them if somebody else is already making their work. My job is to be current with the discourse and not be an asshole. That's all I wanted in a professor.
The truth is, truly passionate media creators don't get into the media business to make huge gains from spectacular unicorn exits. When it happens, we certainly all cheer (and perhaps secretly hope it happens to us). But the fact is, we make media because we don't know what else to do with ourselves. It's how we're wired, so to speak.
You make films to give people something, to transport them somewhere else, and it doesn't matter if you transport them to a world of intuition or a world of intellect...The realm of superstitions, fortune-telling, presentiments, intuition, dreams, all this is the inner life of a human being, and all this is the hardest thing to film... I've been trying to get there from the beginning. I'm somebody who doesn't know, somebody who's searching.
I get a lot of butterflies at auditions because I get so scared. It's scary because you've never met the people before. You have to meet them, and you have to hurry up and get to know them in five seconds. And then, you have to spill your emotions out to these strangers. It's funny.
One is to get out of our echo chambers and sort of follow up people on Twitter and Facebook who do not agree with you. Make sure that you have friends disagree with you profoundly because if you have a friend who voted for somebody else.
The Chinese are more successful [in building infrastructure] because in their country, only three people make the decision. ... In a country where only three people make the decision, they can decide where to put their rail line, get the money, and do it. We don't do it that way in America.
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