A Quote by Carolyn Murphy

I had dreamed of visiting Bali for many years and because I had an extended family of Balinese friends in Los Angeles, I felt connected. The island is so peaceful and the smiles are constant.
In those days, in 80th, people were really hungry for information - and, somehow, I had pretty good access because I had friends in London, New York, Los Angeles, everywhere. I'd been visiting many places and talking with people, so I had a constant flow of new info. I sometimes did articles for magazines and things, and people started to say, "If you want to know what's going on, ask Hiroshi." So that was the beginning with Goodenough.
I had family and friends back home. Just because I could potentially feel alone in Los Angeles, that didn't mean I was alone.
I always love going back to Los Angeles, because it was my home for 24 years, and I have many friends there.
Me and my family, we sort of had this plan to... once we had kids, we had a plan that about every six years we'd move to a new country. So, when we had kids, we moved to Bali for six years, then we went to Australia for six years.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
The first time I met my father was when I was 25. I was visiting here in Los Angeles, I had not moved here yet. And he came down to meet me. It wasn't emotional, it was like meeting a stranger.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
Los Angeles for many years had operated with a police department that was far smaller than other police departments had in areas of comparable or larger size, New York and Chicago being the most obvious examples.
I had come from Los Angeles - I had been there a partner of Gruen Associates, a large Los Angeles firm - and when the possibility of becoming a dean at Yale came, it was a very appropriate moment in my life. I was interested in a number of issues that I could not pursue while in a firm like Gruen's.
Since I have spent many years of my life living in Los Angeles, and since I'm also in the music business, I know that much more is talked about in Los Angeles than ever really occurs.
You would think with me living in Los Angeles I would go to the beach all the time, but we don't. It's the same as visiting the Statue of Liberty. If you don't live in N.Y.C., it's the first stop on your family vacation, but if you live there, you only go if you have relatives visiting from out of town!
I got my first job when I moved to Los Angeles. I worked at a coffee shop for five years and it was one of the best experiences I ever had. It was a bunch of actors covering shifts for each other and becoming great friends.
On one hand, I can say, you know, I had many family members - I had many people in my extended family who left right after Katrina, who relocated to different cities, right? Houston, Atlanta. Right? Most of them have come back.
Los Angeles was a place after my own heart. The people were hospitable. The country had the same attraction for me that it had for the Indians who originally chose this spot as their place to live. The Los Angeles River was a beautiful, limpid little stream, with willows on its banks. It was so attractive to me that it at once became something about which my whole scheme of life was woven, I loved it so much.
I knew if I had gone to school - if I had gone to Juilliard and danced for four years - I would have spent every day wondering what would have happened if I had gone to Los Angeles instead.
I was 27, an unemployed actress living in a really crappy studio apartment. I had just moved to Los Angeles alone, away from my family. I had cervical and uterine cancer and I was told that I would never be able to carry a baby.
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