A Quote by Cary Fukunaga

I've been wanting to make a movie about the war in Sierra Leone, specifically, for more than 15 years. — © Cary Fukunaga
I've been wanting to make a movie about the war in Sierra Leone, specifically, for more than 15 years.
The Nigerians have been very instrumental in preserving stability in Sierra Leone. They have done this at considerable cost in dollars and Nigerian lives. The US should encourage Nigeria to stay in Sierra Leone.
In early 1993, when I was 12, I was separated from my family as the Sierra Leone civil war, which began two years earlier, came into my life.
I was born and raised in Liberia in West Africa. My mother is Sierra Leonean, and my father's Liberian. I grew up at a time when there was a lot of civil unrest in both countries, so when something would happen in Liberia, we'd go to Sierra Leone, and when something would happen in Sierra Leone, we'd go back to Liberia. We moved to save our lives.
No one else will really care, but I missed the wars in Sierra Leone and Liberia. Also the war in Chechnya.
Over the years, the diamond industry has had a devastating impact in countries such as Sierra Leone, Angola and the Congo, where profits from the sale of diamonds have been used to fund brutal wars, with disastrous effects on local communities.
The life changing moment for me what the first time I went to a war zone and that was Sierra Leone. I took two weeks, eleven years ago and I went. I wasn't an Ambassador or anything I just asked to go and I was allowed to go. It was like someone smacked me in the face.
I was fortunate enough to get a scholarship to go to college in the United States. By the time I graduated, we had a full-blown civil war in both Liberia and Sierra Leone. I couldn't go home.
'Beasts of No Nation' began when I read an article about child soldiers in Sierra Leone during my final year of high school.
When we talked about going to help Liberia, Sierra Leone and Guinea Conakry how many doctors in Cuba raised their hands to go? 15 thousand. In their homes they said, "We are willing to go risk our lives to help other countries". That is true medicine; it is the true observance of the Hippocratic Oath that doctors swear to.
I made a movie when I was 15 years old with all my friends. This is when IMDb was a little more lax with its proceedings, so it's listed as one of my projects. I was 15 years old; it's a terrible movie. I wrote 50 percent of it because I wanted to kiss this one girl, and I wrote a kissing scene for it.
In my senior year of high school, I read an article in 'Newsweek' about child soldiers in Sierra Leone. I felt a sense of shock - this was happening in the region where I'm from, and people don't know about it. I wanted to understand.
Some of the inspirations I had as far as following that story would be, like, say, "The Good, The Bad and The Ugly," the way they use the Civil War in that, or even the idea that - the movie that Leone was going to do before he died was going to be a movie about the battle of Stalingrad.
The places I come from have such rich languages, such a variety of expression. In Sierra Leone we have about fifteen languages and three dialects. I grew up speaking about seven of them.
I want to go to Sierra Leone with something - whether it's some sort of contribution to healthcare, or to the entertainment industry. My cousin is a nurse; we are talking about opening a clinic.
Whenever I speak at the United Nations, UNICEF or elsewhere to raise awareness of the continual and rampant recruitment of children in wars around the world, I come to realize that I still do not fully understand how I could have possibly survived the civil war in my country, Sierra Leone.
My father was born and raised in Sierra Leone, and my mom was from Bermuda.
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