A Quote by Cary Fukunaga

Your movie should lull people into a place of openness and vulnerability. If it is just a diatribe, it's never going to work. — © Cary Fukunaga
Your movie should lull people into a place of openness and vulnerability. If it is just a diatribe, it's never going to work.
You just can never count on a formula, on a movie that you think is going to be a big hit, and that's why you do it. You have to choose each one for what you think you'll learn and the fun you'll have. And maybe the cool people that you work with or a character that you're going to be able to explore ... You just keep your fingers crossed.
I think, even a lot of people that make movies forget is that, in my mind, a movie should work with the sound off. You should be able to watch a movie without the sound and understand what's going on. That's your job, to build a series of chronological images that tell the story.
The real goal of a spiritual tradition should not be ascent, but openness, vulnerability, and this does not require great experiences but, on the contrary, very ordinary ones. Charisma is easy; presence, self-remembering, is terribly difficult, and where the real work lies.
I think the one thing that never goes away is soul and emotion and vulnerability and finding your strength in our vulnerability. I think when I apply all of that to music, it somehow just ends up being classic. It's the sum of a bunch of things that never go away.
The first record I made when I was 17. Labels merged and plans didn't work out, but plans never work out as planned. But I never stopped making music. I never had a backup plan. I never thought, 'Maybe I should just write, or maybe I should...' I just kept going.
Sometimes when you get on a new movie you kind of how to figure out the way other people work and it can be like being the new kid in high school where you're just trying to find out where your place is on the movie or on the set.
I never want movie theaters go away. It is the greatest time out on the town. You go out, it's a great place to go, great location, great hang, great date, good place to be with friends. But as an actor who works hard at making movies, I am glad that no matter what people can see your movie on. It's hard to keep a theater for long time; there are so many movies, so when you leave a theater, you're just glad there's a life for your movie.
I just like surprising people. I never want to get to a place where people see that I am in a movie and they go see the movie and they expect a certain performance one way or the other. That is just inherently boring to me.
There's a vulnerability in music but you've also got to protect your sacred place and have a place you can still retire to that no one else knows about. So that's a thing I just try to balance.
During relaxation we drop our guard. Particularly in conversation. Relaxed conversation leads to openness. And in openness we often reveal what should never be revealed.
Yeah, it can be dangerous to kind of try and target your art to a certain type of people! You don't know who's going to gravitate towards your work, you never know what people are going get out of the work. So I try and just create music that feels true to my taste, and then see what happens.
I think that an actor shouldn't work from a place of fear, because it'll show in your work. You should work from a place of contentment, relaxation, and coming from your heart, and from the truth of yourself.
When you approach the world with such vulnerability and openness, people return that energy. It's draining, but it fills me with a purpose. I wouldn't trade it for anything.
But you haven't never loved God nor even nair person. You hard and tough as cowhide. But just the same I knows you. This afternoon you going to roam all over the place without never being satisfied. You going to traipse all around like you haves to find something lost. You going to work yourself up with excitement. Your heart going to beat hard enough to kill you because you don't love and don't have peace. And then some day you going to bust loose and be ruined.
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
When I looked at people like Goya and Pina Bausch, the message I got was just do what you're passionate about. Don't think about what other people are going to say or how they're going to receive your work. Just be your work.
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