A Quote by Cary Fukunaga

You work with the communities to make films. And you just don't go in and take over their territory. — © Cary Fukunaga
You work with the communities to make films. And you just don't go in and take over their territory.
I'm just trying to blur this very clear line we've drawn and are drawing over and over and over again between communities. Saying those are queer films and those are films. I would love for that line to disappear. For that frontier to be abolished once and for all.
In my early formative years, back in the territory days, if a guy didn't get along for whatever reason or didn't get over or things didn't work out, or he just wanted to relocate, he had other territories to go to to make, if not the same amount of money, substantially more or less.
Chimps are brutal, and it is so deliberate. The males go out and get near the boundary of their territory. And they walk very silently trying hard not to make any noise. They will climb into a tree and stare out over hostile territory for hours. They are waiting for the right opportunity. And then they attack.
Whatever affect any of my films have on audiences, I just kind of stop at the door. I make them and I just don't go outside after they're over.
The anarchist philosophy is that the new social order is to be built up by groupings of men together in communities - whether in communities of work or communities of culture or communities of artists - but in communities.
I believe in Mexico there's a big culture of moviegoing, both studio and indie. I think here in the US that's not the case because Latino communities don't have access to indie films. If you go into communities of color you will only find the big theater chains which only play the blockbuster genre films.
When I studied with Nicholas Ray he was always telling us, "If you want to make films, watch a lot of films, but don't just watch films, go take a walk, look at the sky, read a book about meteorology, look at the design of people's shoes. Because all of them are part of filmmaking." So I thought, perfect! That's a good job for me.
I think everyone at some point comes up against a wall. Curiously, though, if you continue working, you might readdress that idea from another direction. If you didn't try something, you'd never have anything; if you didn't make an attempt to make the work, it wouldn't exist. There have been times when I could not work, and I would just go and sit down in the studio and wait to see what might happen. You can't always just go and take an exotic trip and come back and make something.
I've been able to make some wonderful films, but sometimes you make films with great passion - great belief - and these films slightly don't work at the box office, and they become your favorite films.
The market doesn't make communities. Markets make networks of self-interested individuals, and they work as long as there's more than enough to go around.
For me, to take a movie and travel the world and go and work with these cultures and an international cast and have this spy thriller that's not just about character but also action and suspense, they're very challenging films as a producer to make, creating stories, creating set pieces that serve this character [Ethan Hunt].
I usually take up short films when I am not tied up with feature films. Short films are easier to work on... because it doesn't take much of your time. The number of shoot days are lesser as compared to feature films.
All over this country you have progressive communities like Madison and Burlington, but we've got to go well, well, well outside of those communities. We've got to go to the rural areas. We've got to go where a lot of working people are voting Republican.
I love French films, and European films. They're not any bigger, but there's just a sort of definition, and a confidence, and strength to them. I'd always, given the option, go and see a French drama. Obviously, we probably get the better ones. But they're just sophisticated on many levels, and grown up, and quite profound - and we don't make films like that.
I work like a dog, really. I go over scripts like a mad man and just want to make sure I have my house built, so that I can just kind of go nuts inside of it.
There are some communities that feel you shouldn't give them the publicity, because it's just going to make people curious. There are communities who feel we need to fight them tooth and nail. What we have seen, though, is that ignoring them does not make them go away. If we sit back and let them have free reign, we lose members of our community.
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