A Quote by Cary Fukunaga
There's a lot of two-hander dialogue in 'True Detective,' and I needed to place those guys in locations where there were other levels of visual storytelling. It didn't necessarily have to move the plot forward, but it had to add tone or add to the overall feeling.
Related Quotes
What happens with a lot of leaders is that their leadership style is like ADD; they are all over the place with different ideas. They could be driving one idea forward but then move on to something else too soon.
In 1977, I had Paul Rivera hotrod six Fender Deluxes for me. At that time, a lot of studio guys in L.A. were using those - not so much live guys but studio guys. They had terrific tone and great technique, and I was like, 'Well, I like having terrific tone even though I don't have any technique.'
Not only a great game, 'Uncharted 2' raised the bar for storytelling for the medium. The game treated action as a part of the overall story rather than a way to move from plot point to plot point.
Several elements of the ADD mind favor creativity....As mentioned earlier, the term 'attention deficit' is a misnomer. It is a matter of attention inconsistency. While it is true that the ADD mind wanders when not engaged, it is also the case that the ADD mind fastens on to its subject fiercely when it is engaged. A child with ADD may sit for hours meticulously putting together a model airplane.
President Obama had voiced strong support for the effort in Afghanistan during his campaign, pledging to add two brigades, which he did. But since the inauguration... the administration had signaled that the U.S. commitment needed careful assessment, and we needed to recalibrate the strategy and objectives.
When you are doing a film about real people, you don't have a lot of manoeuvrability when it comes to how much you can add by way of imagination. You have to replicate what they were like. What you can add to it is your version of it.
The relationship with actor and director is probably closer to theater, in that, when we record the dialogue, there is very little in the way of the creative collaboration - no cameras, lighting or even locations. Then, once we record, the post process is very similar to the post flow in filmmaking - editing, sound design, mixing, etc. At the end of the day, it's all about storytelling and honing in on a tone by developing a rhythm and structure that suits the storytelling.
Nothing scales quite the way a sci-fi feature does, I mean, you can always add more visual effects; you can spend a lot of money on the visual fidelity alone.
Seriously, women have a level of outward compassion that a lot of men don't necessarily have. Guys feel as deeply as women, but they don't share it as much. Learning how to do that more has been a valuable add.
Only add
Deeds to thy knowledge answerable, add faith,
Add virtue, patience, temperance, add love,
By name to come call'd charity, the soul
Of all the rest; then wilt thou not be loath
To leave this Paradise, but shall possess
A Paradise within thee, happier far.
I think the term "interbeing" has cropped up in a lot of places. It's in the atmosphere, because it's just so true, and the time for that truth to be revealed to mass society is here. It's like in those French bakeries where they don't need to add yeast to the dough, because the yeast is so ambient in the air that the dough gets quickened whether or not you add yeast to it. Many people, even without doing a whole lot of study and reading, are coming to the same kinds of conclusions and perceptions about the world as I am.
Mma Ramotswe had a detective agency in Africa, at the foot of Kgale Hill. These were its assets: a tiny white van, two desks, two chairs, a telephone, and an old typewriter. Then there was a teapot, in which Mma Ramotswe – the only lady private detective in Botswana – brewed redbush tea. And three mugs – one for herself, one for her secretary, and one for the client. What else does a detective agency really need? Detective agencies rely on human intuition and intelligence, both of which Mma Ramotswe had in abundance. No inventory would ever include those, of course.
I spent a lot of time with a real detective, a lady detective inspector who was the only female detective inspector in the whole of East London. She and I hung out a lot. She showed me what she did and I spent time with her. So, [she was] a lot of the inspiration for the way I dressed and sometimes the dialogue in those interview scenes where we're cross examining and questioning the youths and trying to get a confession out of them.
There's guys that wish they were you, so they hate you for being you. And if you add the fact that you're well-spoken and good-looking... man, I got a lot of people that don't like me.
The hardest thing in a novel is time. You've got [a line like] "two weeks later, he woke up with a headache," and you've got to add up that entire two weeks and what the date is and whether it works. That kind of stuff drives me crazy and if I don't have it exactly right, I can't move forward because I don't feel confident.
At some point during every cooking class I teach, I do my signature move: dramatically add handful upon handful of salt to a large pot of boiling water, then taste it and add even more.
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