A Quote by Cary Fukunaga

I'm not a very sentimental person, so you're not going to find schmaltzy scenes in my movies. — © Cary Fukunaga
I'm not a very sentimental person, so you're not going to find schmaltzy scenes in my movies.
I have really strong feelings about sex scenes in movies. I care a lot about sexuality and how it's depicted in mainstream media, period, but what I know is movies, and what I find is that they tend to be kind of one-note.
Even in the big movies, if the scenes are very big, I'm not fond of them as much as I'm fond of small actor scenes.
I actually find it harder to act in the scenes where there's not much happening, say having a milkshake in the diner. That is far harder to do than straight scenes where there's a drama going on and you have something to do
I actually find it harder to act in the scenes where there's not much happening, say having a milkshake in the diner. That is far harder to do than straight scenes where there's a drama going on and you have something to do.
I'm a very sentimental, emotional person.
The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another country's movies.
The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another countrys movies.
I don't think my writing is sentimental, although it is a very sentimental thing to be a human being.
My father was a deeply sentimental man. And like all sentimental men, he was also very cruel.
I knew there were going to be a lot of fighting scenes, and I'm not a very sporty person, I have a dancing background, which I thought would help; it did not.
There is definitely a nostalgia, and I am very sentimental, so I don't begrudge people for having sentimental feelings towards vinyl.
Nowadays the movies that people are going to see in the theaters are the big-event movies, like Spider-Man or something, or they're 25-year-old models who are vampires, or they're very broad comedies, or they're standard action movies. So if you're going to work for a studio and do a movie for the budget that the movie needs, those are the kinds of movies you'll be in.
I love a lot of very sentimental music, but I shouldn't necessarily be the person who makes it.
When I'm on the road making a movie in another city, on my day off, I always go to the movies. I love going to the movies. You get a ticket and sit there, and it's very interesting to be around people who aren't personally invested in you, in any way. They're just going to the movies.
It's very difficult to find the time or the money for people to organize rehearsals for some movies. It staggers me how little preparation often goes into these scenes which are difficult and complicated. You think, "God, it's crazy. I've never met this person before and here I am having to work at how to do a whole performance on the set." It was great to have a few days of just talking to Michael [Caine] and Daniel [Barber] and thinking about the characters and the relationship between them before we started shooting.
When I see sentimental scenes, I get emotional and tears start flowing from my eyes.
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