A Quote by Cary Fukunaga

It's so easy for shows to be gritty and handheld and shaky and really tight in people's faces. — © Cary Fukunaga
It's so easy for shows to be gritty and handheld and shaky and really tight in people's faces.
I think part of what made the original 'Sufferfest' charming was the extremely low production value. It was all shaky handheld footage from Cedar.
The movies I like watching the most are these sort of cinema verite, handheld films where you really get gritty with people. But I also have this strange affinity for old Rock Hudson/Doris Day movies and things that sort of pop out where you see the frames, where you have these 2D animation moments and split-screens and things like that.
I can't do talk shows, I don't do them, just because I get really nervous and fidgeting and shaky.
One thing that's true of gritty people is they love what they do, and they keep loving what they do. So they're not just in love for a day or a week. People who are really gritty - they're still interested.
The best sketch shows are from a group of tight-knit people who've worked together for a really long time.
The best sketch shows are from a group of tight-knit people whove worked together for a really long time.
It's really strange, this thing where people are like, 'I'm not into musicals' but so many people who have said that to me, I've taken to shows and watched their faces radiate.
Look, I like gritty. I write gritty. There is a time and a place for gritty. I'll take my Batman gritty, thank you, and I will acknowledge that such a portrayal means that my 11-year-old has to wait before he sees The Dark Knight. But if Hollywood turns out a Superman movie that I can't take him to? They've done something wrong.
I like tight bodies and pretty faces. You bring in Methuselah, if she's got a tight body and a pretty face, that's all right, too.
One of the main reasons I wanted to do 'Freefall' was that it's a complete contrast to what people see of me from being in the band. It's a gritty role and a gritty film.
On the global scale, if there's a shaky Middle East, there's a shaky world.
Call me Shaky, not Michael. I've been Shaky for so long it would be like calling Muddy Waters McKinley, wouldn't it?
I didn't grow up seeing faces of patriots, emotional and raw and gritty, who looked like me.
I wonder whether my bleak-o-meter is set differently from other people's. I have such passion for what I do that I can't see it as bleak. When people use that word, or “grim” or “gritty,” I just think, “Oh, come on, look a bit deeper.” My films don't give you an easy ride. I can see that. The sense I get is that people have quite a physical experience with them. They feel afterwards that they've really been through something.
Women totally dress for women. If we were dressed for men, we'd be prancing around in tight, tight, tight bodycon skirts and tops all day or really simple jeans and T-shirts.
In Slumdog Millionaire when you are immersed in the point of view of children in the slum and the bustle of the city, the handheld camerawork is amazing. A handheld camera is perfect for establishing point-of-view and for instilling the feeling that you are there.
This site uses cookies to ensure you get the best experience. More info...
Got it!