A Quote by Cary Fukunaga

I like characters that make choices and try to drive their own fate. — © Cary Fukunaga
I like characters that make choices and try to drive their own fate.
I try to make choices for my own life. And I try to make those choices count.
When I look at life I try to be as agnostic and unmetaphysical as possible. So I have to admit that, most probably, we do not have a fate. But I think that's something that draws us to novels - that the characters always have a fate. Even if it's a terrible fate, at least they have one.
What can i tell you about the choices we make? Fate reads like the polar opposite of decision, and so much of life reads like fate.
I do believe in fate, Anne-not the blind fate that gives one no freedom of choice, but a fate that sets down a pattern for each of our lives and gives us choices, numerous choices, by which to find that pattern and be happy.
I don't really have choices in the material I get. So I have to make the choices in the way I play the characters.
All I can tell you is that you cannot make choices in your own career, either career choices or choices when you're actually working as an actor, based on trying to downplay or live up to a comparison with somebody else. You just can't do that. You have to do your own work based on your own gut, your own instincts, and your own life.
You can drive yourself crazy trying to peer into a person's soul--or you can do the sensible thing: ask not what inner motives drive a politician's policy choices but instead whether those choices are good for the country.
I would like to carve my novel in a piece of wood. My characters—I would like to have them heavier, more three-dimensional ... My characters have a profession, have characteristics; you know their age, their family situation, and everything. But I try to make each one of those characters heavy, like a statue, and to be the brother of everybody in the world.
I like working with actors who make choices. Whether they get their ideas from me or from themselves, I want them to own all the choices so I can take my hand out of it.
I feel like I'm getting closer and closer to myself with time, not only in terms of my career choices, but the choices I make within one role or performance. I used to compose characters that were farther from me, but I find now that I like to craft a subtle composition, a subtle change in your essence.
So the fact that there's someone who's planning what happens to the characters, writing it down, means that the characters always have a fate. And when we think about fate, we tend think of it as the thing we would have if we were literary characters, that is, if there were somebody out there, writing us.
The futures and ultimate fates of the characters in The Snow Queen are profoundly changed by choices made in their own minds or hearts, as well as choices unexpectedly forced on them by things beyond their control.
I like to make definite choices and give my characters as many unique edges as possible.
When you play a character, there are choices you have to make about the past, the present, the future, etc. You have to make those choices on your own a lot.
We seal our fate with the choices we make.
You have to empower your employees to make their own choices and trust that they will make the right choices.
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