A Quote by Casey Neistat
That for me is what intrigues me the most about feature films. It's not like the little kind of esoteric projects that you and your friends get but how do you make something that has a universal appeal. Those are the movies that intrigue me the most.
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I always keep my options open. I always say, "Make me an offer and send me the script, and if it's something that I can connect to or relate to..." The character has to intrigue me, and the project overall has to intrigue me. And if it all lines up properly, then we can get into the business side of it. But it's always about the creative first.
Everybody wears an unseen sign that reads: Inspire me. Remind me that my life matters; call me to be my best self; appeal to whatever in me is most noble and honorable. Don't let me go down the path of least resistance. Challenge me to make my life about something more than the acquisition of money or success
To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize. So if I do something, it just has to be something I love and I don't want anyone else to do. When I open projects, maybe something will appeal to me. I think I'm not opening them because I don't want anything to appeal to me right now.
It's not like I have anything against it, I just chose the kind of films that appeal to me, and mindless entertainers don't often appeal to me.
In doses, like most people, I like all different kinds of movies. I like any movie that can take me somewhere and make me feel something. Horror movies, if they're done well, they make you feel nasty or scared or relieved.
What intrigues me most about the human voice, is its ability to make all things transparent through its power of transformation. The voice is not just a conduit for words. For me it is like an abstract dream in which everything makes perfect sense.
I have my own cosmology that's kind of like an esoteric mix of a lot of different things that work for me and that to me, are worth exploring. There is a little bit of the archetypal Christianity that I've kind of reconciled because when you're raised that way, inevitably that infrastructure will persist into your adulthood.
The money for my movies mostly come from talented and generous friends willing to work for almost nothing. As a producer, my job is to get as many people to give me things for free as I could. And most people are kind, and they know how hard this kind of thing is, so they are willing to help how they can, and reduce their fees how they can.
As soon as I finished film school I was thinking about, how do I get to feature films? It took about eight years, and I'm still working. Feature films was not the end goal. Feature films was one of the stages. Getting to the point of the Coen brothers or Tarantino, where you're writing your own material and have the budget to do it properly, that's the end goal, and I'm close to that.
I am still in touch with my Secret Service agents, most of whom are retired now. They really get to be your friends. They watched me grow up, and most of them had little kids, so I was kind of giving them a warm-up of what was coming.
I like movies that are scary, but I don't want them to be dirt dumb. I want a movie that gets my blood racing, makes me laugh, but also gives me something to think about, with maybe a little sexy thrown in. Hollywood doesn't make movies like that.
People frequently bore me, sometimes amuse me, most often irritate me, but rarely intrigue me.
Fortunately, most of my friends in comedy that smoke pot are almost as open about it as I am, and in some cases more so. But most that appear, it's more about friendship with me than making some statement about pot. I'm sure those of my friends who are onscreen smoking might have a little regret, but there's not too much of it.
Dear Heavenly Father, sometimes I feel like I’m not going to make it. Thank You for friends that come alongside me and cheer me on when I feel like I’m about to go under. Most of all, thank You for always being with me and cheering me on in the great race of life. I love You!
Having that little bit of breathing room to work, and not feeling like it's going to fall apart at any second, has allowed me to recover the feeling I had when I was a little kid, when I was writing stories for fun or drawing pictures for my parents to put on their refrigerator. It was about playing and doing something fun, and kind of making your own little world. And that's how art should feel for me, and how having a little bit more distance between my ass and the ground has helped me.
You always have to appeal to your audience. You always have to consider how well your project will do in terms of admissions. I abandoned many stories because of that. But I don't get too down about it. It's something I accepted from the time I decided to work in films. I could always do something else if I got sick of it, like draw manga, or make my own films. I found it pointless sitting in my house not working, though I'd like to go on extended vacations from time to time.
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