A Quote by Casey Neistat
If you type 'Salt Flats' into YouTube, you'll find 100 amazing videos that were shot out there, but you won't find any that were shot in the rain.
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So many car commercials are shot in the Salt Flats, and so much great imagery comes out of that place, but I've never been there, and I'm curious.
Because if you were the problem, chances were you could also be the solution. The only way to find out was to take another shot.
It didn't make you noble to step away from something that wasn't working, even if you thought you were the reason for the malfunction. Especially then. It just made you a quitter. Because if you were the problem, chances were you could also be the solution. The only way to find out was to take another shot.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
I shot a Metallica video in Hollywood, and there were, like, 100 people on set. There was even a guy there to put antiseptic gel on my hands. Amazing. If I asked for that on a Danish set, they'd probably kick me out of the country.
When we shot the first series of Aerobic Striptease, we shot five DVD's, so we slowly put out each DVD and timed it out that they were all done and shot and ready to go. We just started shooting the next series once we felt it was time to work on the next one.
What I try to do is find a weakness in my opponent. A way that I can hit you. One good, clean shot. Try to time it. If I can get it and the shot is there, if I find that shot in the first round and they go down, they go down. I'm prepared for anything, not just to get first round knockouts. If they're there, I'm not gonna resist to take them.
We were very fortunate to be in YouTube in the very beginning. There wasn't a lot of content on there, so we were pretty easy to find on YouTube. That was really helpful in growing our channel.
It's been a part of my game for life. It's tougher to finish in the lane so you've got to find different areas to score efficiently and the mid-range contested shot is a shot a lot of teams will live with. And it's a shot I'm willing to live with as well just because I've gotten so many shots at it and I'm comfortable with it.
I'm really interested in, who's booked the guests, who's decided to have Lena Dunham and to have the mothers of sons who were shot - sons and daughters who were shot by the police and, you know, the other performers, Paul Simon and Alicia Keys.
Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anything if we don't make this point in this shot, this one here and this one here. There's the saying, 'One shot, one thought.' It's pretty much a true way to go.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
I did attempt to find out if there were any secret government documents that revealed things. If there were, they were concealed from me too. And if there were, well I wouldn't be the first American president that underlings have lied to, or that career bureaucrats have waited out. But there may be some career person sitting around somewhere, hiding these dark secrets, even from elected presidents. But if so, they successfully eluded me...and I'm almost embarrassed to tell you I did (chuckling) try to find out.
When I was in Hungary in December I was looking at student films and I could not tell which ones were shot on film and which ones were shot digitally. I think that is because the filmmakers in Europe go to four years of film school and learn the techniques.
I was very pleased to find that once I had records out music videos were starting to happen, so I directed some of my own music videos and got to experiment in other areas of expression.
We've been conditioned to understand music as a field where you get discovered, and you're always trying to find that end. So 'my shot' is speaking of a variety of shots. When you're a rapper, you look at every shot as the one you're supposed to take.
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