A Quote by Casey Neistat
So many car commercials are shot in the Salt Flats, and so much great imagery comes out of that place, but I've never been there, and I'm curious.
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If you type 'Salt Flats' into YouTube, you'll find 100 amazing videos that were shot out there, but you won't find any that were shot in the rain.
This was truly guerilla filmmaking. We shot out in the middle of nowhere in a place called Delta Flats, where basically every day was some new minor catastrophe.
The really great gallerists have always been interested in imagery that is not that imagery.
I'm looking to be shot any time I step out of my car... If I die, it will be in a good cause. I've been fighting for America just as much as the soldiers in Vietnam.
I've never worn flats in my life. I haven't owned any since I was a kid. I suppose the only flats I have are the shoes I wear to the gym, but I put them on just before I start to work out... I like heels.
If I have all the tears that are shed on Broadway by guys in love, I will have enough salt water to start an opposition ocean to the Atlantic and Pacific, with enough left over to run the Great Salt Lake out of business. But I wish to say I never shed any of these tears personally, because I am never in love, and furthermore, barring a bad break, I never expect to be in love, for the way I look at it love is strictly the old phedinkus, and I tell the little guy as much.
Honestly, the average American spends about 52 minutes a day in commute traffic. And as much as I love driving my car and many people like driving their car, commuting has never been fun for me.
Imagery is powerful. Imagery is provocative - satellite imagery much more so because it is from space, and it allows us to get this perspective that we don't have to have otherwise.
What's so fun when you shoot in a car is you get to research all the other road movies that have ever been done, and you try to figure out where do they place the cameras and how many shots can you get with your people in the car. So just doing the research on the films is so fun.
Salt is a powerful symbol in Haiti, as elsewhere. Salt of the earth, for example is an American phrase. In Haiti, myth and legend has it that if you are turned into a zombie, if someone gives you a taste of salt, then you can come back to life. And in the life of the fishermen, there are so many little things about salt that I wanted to incorporate. The salt in the air. The crackling of salt in the fire. There's all this damage, this peeling of the fishing boats from the sea salt. But there is also healing from it, sea baths that are supposed to heal all kinds of aches and wounds.
When I'm standing in the middle of the salt flats, where you swear that the pupils of your eyes have turned white because of the searing heat that is rising from the desert, I think of my childhood, I think of my mother, my father, my grandparents; I think of the history that we hold there and it is beautiful to me. But it is both a blessing and a burden to be rooted in place. It's recognizing the pattern of things, almost feeling a place before you even see it. In Southern Utah, on the Colorado plateau where canyon walls rise upward like praying hands, that is a holy place to me.
The first job I did was Volkswagen, we shot it in Long Beach, and it was like they won multiple awards with it and they were super excited about it and that kind of launched me into the world of commercials. Still most of what I do is car-related stuff.
White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'
I studied with the Maharishi for many years, and really didn't learn that much. But one thing that he taught me, I'll never forget: 'ALWAYS...' no, wait-- 'NEVER...' no, wait, it was 'ALWAYS carry a litter bag in your car. It doesn't take up much room, and if it gets full, you can toss it out the window.'
London is not a healthy place. I feel much healthier when I'm living in the countryside or, indeed, anywhere out of London. When I go back to the countryside to visit my mother, I get out of the car, and suddenly there's great wafts of fresh air.
Bowdoin was the first place that I fell in love with. When I visited, I just had never been to a place with that many resources and that much access to information. That was stuff that you saw in movies. I didn't know that existed in real life.
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