A Quote by Casey Nicholaw
Bouncing ideas off people when you're thinking up comedy is great.
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Approaching a comedy character is fun because you get to sit down with the director and ask, "What makes you laugh?" Then you end up bouncing ideas off each other.
I love working with other people and bouncing ideas off them.
I was thinking about comedy and how comedy in many ways opens us up to ideas and really being influenced by Richard Pryor and sort of the way he would use comedy to really speak about larger social issues.
It's a constant process of bouncing ideas off of one another and intuitively arriving at the right decision in the moment.
I always get a little bit pissed off when stand-up comedy is not recognised as being as good a craft as being an actor. We give Oscars to people and it's like, 'Aw, this person is the greatest person on earth', but being an actor is pretty easy in comparison to stand-up comedy. It's no surprise that several stand-up comics have gone on to become great actors. I don't know any great actors that have gone on to become great stand-up comics.
I read somewhere that when I go on stage, people realize that they're not me and they feel better. When I walk off the stage, people know who I really am. I'm not saying it's great comedy, cool comedy or better comedy - but that's what I do, and I do it first for myself.
The whole time you're bouncing ideas off each other, you continue to try and push the songs as far as you can take them and make them the best that they can be.
I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.
I've known people who had fantastic ideas, but who couldn't get the idea off the ground because they approached everything weakly. They thought that their ideas would somehow take off by themselves, or that just coming up with an idea was enough. Let me tell you something - it's not enough. It will never be enough. You have to put the idea into action. If you don't have the motivation and the enthusiasm, your great idea will simply sit on top of your desk or inside your head and go nowhere.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
Ideas mostly come from the work itself. Often when I'm drawing, the words will be bouncing around in my head, and when I'm writing, ideas about the drawing happen.
BBC TV gets hold of an idea and beats it to death until we're all heartily sick of it. They buy people without thinking what they're going to do with them. It's the wrong way around. What they should be doing is employing really good ideas people to come up with good ideas.
Even after seeing so much bad art in the last few years, it still seems possible that one can be led to the right places. I haven't given up hope because there are always great artists, great minds, and great ideas. New ideas are what give you hope. You have to base your opinions on the quality of the ideas in the artworks.
I've been bouncing around from comedy to drama and TV and film.
In the 1960s and into the '70s, everyone in their own way was trying to open up the musical horizon. There shouldn't be a wall that you're going toward and bouncing off.
Whenever Rod has four of five days off, he'll be bouncing off the walls with boredom.
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