A Quote by Cass Sunstein

Masterful politicians and effective agents of change tend to succeed by singling out and making salient some aspect of a nation's self-understanding, sparking a sense of recognition - and ultimately moving voters in their favor. Obama made it into an art form.
I don't think you can create art out of anger; it has to come out of some form of understanding. You have to feel good about who you are and that you could do something to change things.
By their nature, midterm elections favor the out-of-power-party. Its voters tend to be more motivated to show up and swing voters are more likely to treat it as a protest vehicle for their frustrations.
Bringing climate change to the forefront of American politics means making politicians feel the heat - in their campaign coffers and at the polls - and it's time we voters make a change.
Art is a form of understanding like philosophy and science and mathematics are an understanding but the difference is that art has the capacity to hold all these different things. It is the form of understanding that is best suited for the contemporary time.
Fine art is the subtlest, the most seductive, the most effective instrument of moral propaganda in the world, excepting only the example of personal conduct; and I waive even this exception in favor of the art of the stage, because it works by exhibiting examples of personal conduct made intelligible and moving to crowds of unobservant unreflecting people to whom real life means nothing.
Dancing and moving and singing and making music has always made sense to me as a way of being. I didn't know whether it was a viable career path, but I tend to be idealistic.
In a strange way, Hillary Clinton was helped and victimized by Barack and Michelle Obama.Michelle Obama was probably better than Barack Obama, if you think about it.Her speech is a masterful, masterful speech. And she delivered it in a persuasively conversational tone.
Obama's major accomplishment is himself. This can be an effective argument to make to undecided voters and something Obama has to artfully address.
We live in a culture that insists on "moving on" (even while our loyalty to and love of the franchise and the sequel give away a larger loopiness). But I tend to dwell or obsess or meditate, and I came back to, for instance, the figure of Dickens's "Miss Havisham" with some (self) recognition if not relief.
I just have a sense that Obama's not going to ultimately succeed in totally transforming America into something other than how it was founded.
I absolutely consider fashion a form of art. Of course, there is some fashion that is not art at all - it's utilitarian, made for the purpose of covering up. And there are a lot of people out there who put a lot of effort into looking awful. But there are also people putting the same amount of energy into making bad art.
It seems that in almost all societies, the attitudes that people have to language change is basically the same. People everywhere tend to say that the older form of a language is in some sense 'better' than the form that is being used today.
We Americans think we enjoy self-government. We have all the trappings of self-government, like elections. But in reality, we have gradually lost many of our rights to govern ourselves. We have the form of self-government, but only some of the substance. We are, in a sense, a nation run by a handful of judges who often enforce, not the law, but their personal opinions.
What I've taken from my spiritual study is the wisdom of living a balanced life. My spiritual path has also helped me to be more emotionally centered, to be more understanding of those that disagree with me, and to learn how to let go of some of my power issues so that I can be more effective and bring a sense of humility to my work - while still having the self-confidence to be effective.
The only way you can make change is by moving someone, making them laugh, making them cry. But art has to be at the forefront of change.
I suppose everyone continues to be interested in the quest for the self, but what you feel when you're older, I think, is that ... you really must make the self. It is absolutely useless to look for it, you won't find it, but it's possible in some sense to make it. I don't mean in the sense of making a mask, a Yeatsian mask. But you finally begin in some sense to make and choose the self you want.
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