A Quote by Caterina Fake
My background is in art. I was a painter and an occasional sculptor, and I really like materials - you know, stuff. Physical objects. The world and the trees and the sunshine and the flowers. And all of that doesn't seem to really exist out in the ether of the Internet.
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The only thing that really worried me was the ether. There is nothing in the world more helpless and irresponsible and depraved than a man in the depths of an ether binge. And I knew we'd get into that rotten stuff pretty soon. Probably at the next gas station.
I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
To me, it's like the difference between a pen and a paintbrush. Music draws from almost the identical place as art does, which really is that intangible - it's like you're pulling from the ether. I don't know where it comes from. Nobody really does. It sort of arrives when it wants to.
No person who is not a great sculptor or painter can be an architect. If he is not a sculptor or painter, he can only be a builder.
Music draws from almost the identical place as art does, which really is that intangible - it's like you're pulling from the ether. I don't know where it comes from.
If everyone used the Internet to share the things they created themselves, what would that look like? I think it makes objects special again. I guess I'm not really advocating for no objects in the world, but rather the idea of creating within our present means.
The song "This Is Not Surreal," was inspired by a painter I love, Frida Kahlo. She really did suffer for her art. She speaks to me. She was brutally honest in her work. At that time in fine art, you really didn't see many female artists expressing that. She was such a strong female presence, and I really look up to her. She had a lot of physical pain.
I closed my eyes and listened to the occasional chirps of tiny birds hidden in the trees around us, the bubbling of water over rocks down below, cicadas rattling a chorus off in the distance. All sounds of the world carrying on like it always had. So much could change or be lost, and still, the rest of the world went on like it was nothing. It didn't seem wrong, but it didn't seem right either. I'd gone on today like it was nothing. I'd laughed and felt happy and forgotten for a little while that this was now a world without my brother in it.
You're on Facebook, and you're supposed to know your sexual orientation at 13... Nobody really knows what's going on at that time, and people seem to... know stuff, or they have to act like they do, and they make decisions before they really need to.
Nursing is an art: and if it is to be made an art, it requires an exclusive devotion as hard a preparation as any painter's or sculptor's work.
I like poor materials. I couldn't see myself making a bronze sculpture - it's not me. I like neon, because it's moving constantly and like drawing. The chemicals going through the neon turns me on really - it's sexy. I like fabrics, but one of the main things with objects is that I really have to love them before I can use them. I have to have the object around me a long time. The little chairs I used in my last White Cube show are ones that my dad bought for me. A sort of a psychometry with objects and things. It's like the pieces I've made are my things.
There's something about materials like copper, woods, stone, trees, shells. You walk outside and these materials are part of the world before we touched anything. There's a feeling of pleasure that many of us have in materials that have some presence before us, like clay and wood and copper.
Many painters had a clear idea of what fractals are. Take a French classic painter named Poussin. Now, he painted beautiful landscapes, completely artificial ones, imaginary landscapes. And how did he choose them? Well, he had the balance of trees, of lawns, of houses in the distance. He had a balance of small objects, big objects, big trees in front and his balance of objects at every scale is what gives to Poussin a special feeling.
There are certain moments where artwork might seem like it's part of someone's career - if you really know the art world - , but I did my best to prevent that overlap.
I was raised a Catholic, but with very liberal parents, so I had to find my spirituality. I've been looking for it since I was a child. I would find it in pieces of art, music, flowers, trees. Now I've come full circle finding God in clouds, flowers, and trees.
With a painter or a sculptor, one cannot begin to alter his works, but an architect has to put up with anything, because he makes utility objects - the building is there to be used, and times change.
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