A Quote by Caterina Fake

Part of why making Pinwheel is so fun, is so exploding with possibility, is that a note, like a photo, can be a container for all kinds of things. It is the perfect social object. Stories, advice, jokes, diatribes, information, memories, facts, advertisements, love letters, grocery lists, and manifestoes can all be put into a note.
The note we end on is and must be the note of inexhaustible possibility and hope.
I played trumpet in the school bands. I learned things I liked to play on my trumpet, but I didn't learn why this note goes with this note and why it produces that sound. Or how to create tension in the composition.
I don't remember that I copied any guitar player note-for-note. But I remember copying Charlie Parker note for note.
The amazing thing about the cistern is that, if you're improvising in a dead room, you play your note and then you're left with your thoughts and you have to be really quick on your feet and be able to move through many different musical thoughts seamlessly. Improvising there is just, like, you play a note and then you had at least ten seconds to think, "What would be the perfect accompanying note to that?" And then you could add that note. You can just build this puzzle that was really amazing.
If I have to hold a note for a long time, I imagine it as moving and spinning, for the note has to have life. In a way, a singer actually refreshes a note with every beat that it's held.
Brain extenders are anything that get information out of our heads and into the physical world: calendars, key hooks by the front door, note pads, 'to do' lists.
My driving philosophy about making music is that you can reduce it all down to one note if that note is played with the right kind of sincerity.
Dinner with Steven Moffat in Bar Shu, spent mostly in enthusiastic Dr Who neepery. I love my life....As a side note, running Windows Vista on the Panasonic w7 is making me really nostalgic for 1986. Whoever thought I'd get to type things then stare at a blank screen for a bit and one-by-one watch the letters appear? Cory and Mike's 'Why Don't You Run Linux?' talks are staring to seem much more sensible.
For the most part, I've been influenced by black singers and singers I couldn't sound like. Whenever I tried to do a dark note or a bent note, I would just sound like Hootie And The Blowfish.
The note, which had been written on one of the pads I kept around for grocery lists, said, "My lover, I came in too close to dawn to wake you, though I was tempted. Your house is full of strange men. A fairy upstairs and a little child downstairs- but as long as there's not one in my lady's chamber, I can stand it".
And they were quiet but their blood and nerves and butterflies were not—they were rampantly alive, rushing and thrumming in a wild and perfect melody, matched note for note.
I have always lived my life by making lists: lists of people to call, lists of ideas, lists of companies to set up, lists of people who can make things happen. Each day I work through these lists, and that sequence of calls propels me forward.
I've heard stories of pickup bands that can't follow, but here's the thing: If you want to play with Chuck Berry, you listen to his greatest hits and learn the format of the songs, but don't try to play it note-for-note.
Give her two red roses, each with a note. The first note says For the woman I love and the second, For my best friend.
You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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