A Quote by Catherine Camus
You end up beating your head against a wall again, it doesn't work. Not if you make an abstraction of man. That's why [Albert] Camus is more a la mode now, because he always says 'yes, but there's man. That's the first thing, because myself, I'm a man.' And that's what solidarity .
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We can't talk about the book [Albert Camus] wanted to write because we have barely its beginnings. He had written hardly any of it, but he needed to write it. It seems to me that if you look at the style of The First Man it conforms much more to who he was as a man, it resembles him very closely.
One thing that is evident is that [Albert] Camus could never be a 'neutral' man. This is because he was committed; look at his real physical involvement in the Resistance. He took part, there, in the combat against Nazism.
What the articles which have been written about The First Man propose is humility. The acceptance of these contradictions. Seeking an explanation is death. The lie is death in [Albert] Camus. That's why in Camus' play The Misunderstood the son dies, killed by his sister and his mother, because he lied. He never told them who he was. They killed him because they didn't recognise him.
[Albert Camus] is The First Man because he is poor, which has never been much to human beings.
Femininity, yes, effectively there is more in The First Man, not only in terms of women but stylistically, in its elements, the notes he wrote. You can see a real love story in it, a childhood love story, [Albert] Camus' first. Meursault [protagonist of The Outsider] and Marie were never up to much really. There is Dora in The Just and others in his plays, but they aren't so well known.
The First Man is [Albert Camus] posthumous last work. But in fact, in a certain way, it is his first, because in it you find the signs of his commitments, and of the whole way of writing as well. This mixture of austerity and sensuality, the will to speak for those not able to speak for themselves.
It's one of the reasons why Spider-Man: Homecoming is so exciting. Because it's a new genre for us, a new character, the first time that Spider-Man is in our cinematic universe and you can see what he was meant to be in the comics. He's such a young teenager in comparison to these other heroes. But I think, because we're film fans who go and see everything, it's much more natural that you're inspired by other work. And then of course that influences your work, and the way you make films.
I strike fear into you because I am a man?" "It isn't funny." "I do not laugh. It is a sad thing, yes, that your husband is a man. A very terrible thing.
Of course, [Albert Camus] wasn't an existentialist, but he was a committed man. He was a man of combat. It wasn't for nothing that he directed the Resistance journal called Combat.
In publishing The First Man I said to myself, 'this is going to be awful,' but awful from the point of view of the criticism. I'm not afraid of [Albert] Camus' public. I'm afraid of what will be written in the papers.
Perseverance is the most overrated of traits, if it is unaccompanied by talent; beating your head against a wall is more likely to produce a concussion in the head than a hole in the wall.
Albert Camus's 'La Peste' - 'The Plague' - had an enormous impact on me when I read it in high school French class, and I chose my senior yearbook quote from it. In college, I wrote a philosophy class paper on Camus and Sartre, and again chose my yearbook quote from 'La Peste.'
Lift up yourselves, men, take yourselves out of the mire and hitch your hopes to the very stars themselves. Let no man pull you down, let no man destroy your ambition, because man is but your companion, your equal; man is your brother; he is not your Lord, he is not your sovereign master.
The meekest of animals will fight bravely when it is backed against a wall, for it has nothing left to lose. A poor man is more deadly than a rich man because he puts less value on his own life.
However varied you try to make your work, you still bump up against the end of you. You keep knocking into a wall, and the wall is your own skull. But when you adapt somebody's work, it's like a door into somewhere else. It feels like a holiday from myself.
I hate a man who always says yes to me. When I say no I like a man who also says no.
