A Quote by Catherine Camus

There are indications that today the intellectuals are coming back to [Albert] Camus. History has given them reason to, with the fall of communism. — © Catherine Camus
There are indications that today the intellectuals are coming back to [Albert] Camus. History has given them reason to, with the fall of communism.
During the '80s, those you would call the young philosophers of France, such as Bernard-Henri Lévy and [André ] Gluxman, pointed out that Camus had said things no one wanted to hear in the political arena. They said it was [Albert] Camus who was right, not those who had slid under the influence of Sartre, that is to say an unconditional devotion to Communism as seen in the Soviet Union. And ever since then the evaluation of Camus has continued to modify up until today
Intellectuals of [Albert] Camus' age who had previously disliked him now appreciate him. And at that point we come back to literature, and it's agreed that he was always a great writer.
[French intellectuals] could never address themselves to the working classes. They don't know what it means, and that gives them a bad conscience about it. [Albert] Camus has a greater proximity to those in poverty.
French intellectuals are mostly petit bourgeois, and it's hard to say whether that makes [Albert] Camus' work more valuable.
[Albert Camus] positions are sensed. So, naturally, those intellectuals who don't have that experience have difficulty in comprehending it. But I think it made Camus more tolerant because he had already seen both sides of things when the others had only ever seen one. They imagine poverty, but they don't know what it is. In fact they've got a sort of bad conscience about the working classes.
Just after the war, the liberation of 1945, [Albert] Camus was well known, well loved by [Jean-Paul ] Sartre and all the intellectuals of that generation.
[Albert] Camus always insisted that historical criteria and historical reasoning were not the only things to take into account, and that they weren't all powerful, that history could always be wrong about man. Today, this is how we are starting to think.
The Outsider isn't [Albert] Camus, but in The Outsider there are parts of Camus. There's this impression of exile.
So time passes, and a much more political rather than literary reasoning intervenes, and from the day that [Albert] Camus wrote The Rebel, in 1955, there comes the rupture, and all, nearly all of the left wing intellectuals become hostile to him. Since he was already unfavourably viewed by the right-wing, he found himself entirely alone.
There is an interview given by [ Jean-Paul] Sartre in the USA where he is asked what the future of French literature is, and he replies that the next great writer of the future is [Albert] Camus.
I couldn't ever act or think on behalf of what my father [[Albert Camus]] would have said or done. He's an artist, he considers himself an artist, and so he takes on the responsibility of speaking for those who are not given the means or the opportunity.
Today's liberal intellectuals, who pride themselves on scientific method and being “broadminded”, are the most narrow-minded, self-righteous and hate-filled bigots in the history of humanity. No primitive tribe worshipping with its witch-doctor was ever more vicious in its hatred and suppression of heretics than today's Marxist intellectuals, anti-racists and liberals.
Communism has not died. We naively thought in the '90s we had buried communism, but this is not true. It is not dead, and it will be coming back.
Albert Camus was never abandoned by his readers. Camus is enormously read. He's the highest selling author in the entire Gallimard collection, and has been for some years now. Sales haven't ever stopped, so to talk about rediscovering him would suggest that he isn't read anymore and that's not true.
What the articles which have been written about The First Man propose is humility. The acceptance of these contradictions. Seeking an explanation is death. The lie is death in [Albert] Camus. That's why in Camus' play The Misunderstood the son dies, killed by his sister and his mother, because he lied. He never told them who he was. They killed him because they didn't recognise him.
[Albert Camus] was not an existentialist!
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