A Quote by Catherine Camus
[Albert Camus] positions are sensed. So, naturally, those intellectuals who don't have that experience have difficulty in comprehending it. But I think it made Camus more tolerant because he had already seen both sides of things when the others had only ever seen one. They imagine poverty, but they don't know what it is. In fact they've got a sort of bad conscience about the working classes.
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[French intellectuals] could never address themselves to the working classes. They don't know what it means, and that gives them a bad conscience about it. [Albert] Camus has a greater proximity to those in poverty.
During the '80s, those you would call the young philosophers of France, such as Bernard-Henri Lévy and [André ] Gluxman, pointed out that Camus had said things no one wanted to hear in the political arena. They said it was [Albert] Camus who was right, not those who had slid under the influence of Sartre, that is to say an unconditional devotion to Communism as seen in the Soviet Union. And ever since then the evaluation of Camus has continued to modify up until today
Love is very important in The First Man, in that [Albert] Camus loves these things he never chose, he loves his childhood experience in a very real way. Their poverty meant that there was nothing else they could think about but what they would eat, how they would clothe themselves. There's just no room for other things in his family. It's difficult for others to imagine the position in which he found himself. There is no imaginary existence in their lives.
Albert Camus was never abandoned by his readers. Camus is enormously read. He's the highest selling author in the entire Gallimard collection, and has been for some years now. Sales haven't ever stopped, so to talk about rediscovering him would suggest that he isn't read anymore and that's not true.
One thing I had learned in college was that if you ever had a question about truth, reality, or the meaning of existence, read a novel by Albert Camus. Pretty soon you'll be so baffled you'll forget the question.
Intellectuals of [Albert] Camus' age who had previously disliked him now appreciate him. And at that point we come back to literature, and it's agreed that he was always a great writer.
French intellectuals are mostly petit bourgeois, and it's hard to say whether that makes [Albert] Camus' work more valuable.
The Outsider isn't [Albert] Camus, but in The Outsider there are parts of Camus. There's this impression of exile.
There are indications that today the intellectuals are coming back to [Albert] Camus. History has given them reason to, with the fall of communism.
I think [Albert Camus] wanted to write something to explain who he was, and how he was different from the age that had been conferred upon him.
What the articles which have been written about The First Man propose is humility. The acceptance of these contradictions. Seeking an explanation is death. The lie is death in [Albert] Camus. That's why in Camus' play The Misunderstood the son dies, killed by his sister and his mother, because he lied. He never told them who he was. They killed him because they didn't recognise him.
Don't be deceived when our Revolution has been finally stamped out and they tell you things are better now Even if there's no poverty to be seen because the poverty's been hidden even if you ever got more wages and could afford to buy more of these new and useless goods which these new industries foist on you and even if it seems to you that you never had so much that is only the slogan of those who still have much more than you
I've had the opportunity to see both sides of the human spirit. I've seen those who will put you down, demean you, brand you, and have a one-track mind of destruction. But I've also seen people who uplift you. I've been on a journey unlike any others.
Albert Camus's 'La Peste' - 'The Plague' - had an enormous impact on me when I read it in high school French class, and I chose my senior yearbook quote from it. In college, I wrote a philosophy class paper on Camus and Sartre, and again chose my yearbook quote from 'La Peste.'
There are those who will find [Albert Camus] notions about absurdity appealing, and others who will be drawn by the solar side of his work, about Algeria, the heat and so on.
We must remember that [Albert] Camus wrote not even a third of what he had wished to.
