A Quote by Catherine Camus
Of course, [Albert Camus] wasn't an existentialist, but he was a committed man. He was a man of combat. It wasn't for nothing that he directed the Resistance journal called Combat.
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One thing that is evident is that [Albert] Camus could never be a 'neutral' man. This is because he was committed; look at his real physical involvement in the Resistance. He took part, there, in the combat against Nazism.
[Albert Camus] was completely intransigent, and that's not at all a neutrality. It's combat, it's a man who involved himself, committed himself.
[Albert Camus] was not an existentialist!
Close combat, man to man, is plainly to be regarded as the real basis of combat.
How do you combat a man with a firearm? You don't combat him with a golf club, baseball bat or a knife. You combat him with another firearm.
There's an idea called "gray man", in the security business, that I find interesting. They teach people to dress unobtrusively. Chinos instead of combat pants, and if you really need the extra pockets, a better design conceals them. They assume, actually, that the bad guys will shoot all the guys wearing combat pants first, just to be sure.
Modernity and technology are not going to mitigate the need, the reality, of face-to-face combat, and I don't care who it is - when you put a man against a woman in hand-to-hand combat, the chance is the man is going to win... This is a physiological issue, not a culture issue.
The spiritual combat in which we kill our passions to put on the new man is the most difficult struggle of all. We must never weary of this combat, but fight the holy fight fervently and perseveringly.
There are no women in these ground combat jobs.Women, of course, have been flying combat missions in fighter jets, attack helicopters, for more than 20 years, but beginning this week, those ground combat jobs in infantry, artillery and armor will be open to women. Officials don't expect a rush of women interested.
You end up beating your head against a wall again, it doesn't work. Not if you make an abstraction of man. That's why [Albert] Camus is more a la mode now, because he always says 'yes, but there's man. That's the first thing, because myself, I'm a man.' And that's what solidarity .
[Albert Camus] always held a profound commitment [engagement], a real resistance to all totalitarianism.
As an actor, it's all about whether you can sell the emotion on your face... that desperation, the panic and rage that comes with combat. The emotion of combat is important to me. I mean, you feel almost sick if you see a real fight where someone is getting badly beaten up. You can get emotionally involved in combat that has nothing to do with you in real-life, let alone if you are actually in it... or it's someone you know, and so you should have those same feelings on film.
[Albert Camus] is The First Man because he is poor, which has never been much to human beings.
Nothing makes a man more aware of his capabilities and of his limitations than those moments when he must push aside all the familiar defenses of ego and vanity, and accept reality by staring, with the fear that is normal to a man in combat, into the face of Death.
Female service members are so integrated into the military, so critical and vital to all functions of the military, from combat service support to combat support, to direct combat, that we could not go to war as a nation - we could not defend America - without our women.
We can't talk about the book [Albert Camus] wanted to write because we have barely its beginnings. He had written hardly any of it, but he needed to write it. It seems to me that if you look at the style of The First Man it conforms much more to who he was as a man, it resembles him very closely.
