A Quote by Catherine Camus
Just after the war, the liberation of 1945, [Albert] Camus was well known, well loved by [Jean-Paul ] Sartre and all the intellectuals of that generation.
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There is an interview given by [ Jean-Paul] Sartre in the USA where he is asked what the future of French literature is, and he replies that the next great writer of the future is [Albert] Camus.
Jean Paul Sartre says in "No Exit" that hell is other people. Well, our task in life is to make it heaven. Or at least earth.
During the '80s, those you would call the young philosophers of France, such as Bernard-Henri Lévy and [André ] Gluxman, pointed out that Camus had said things no one wanted to hear in the political arena. They said it was [Albert] Camus who was right, not those who had slid under the influence of Sartre, that is to say an unconditional devotion to Communism as seen in the Soviet Union. And ever since then the evaluation of Camus has continued to modify up until today
I was much influenced by Jean-Paul Sartre.
Albert Camus's 'La Peste' - 'The Plague' - had an enormous impact on me when I read it in high school French class, and I chose my senior yearbook quote from it. In college, I wrote a philosophy class paper on Camus and Sartre, and again chose my yearbook quote from 'La Peste.'
There are indications that today the intellectuals are coming back to [Albert] Camus. History has given them reason to, with the fall of communism.
French intellectuals are mostly petit bourgeois, and it's hard to say whether that makes [Albert] Camus' work more valuable.
[Albert Camus] positions are sensed. So, naturally, those intellectuals who don't have that experience have difficulty in comprehending it. But I think it made Camus more tolerant because he had already seen both sides of things when the others had only ever seen one. They imagine poverty, but they don't know what it is. In fact they've got a sort of bad conscience about the working classes.
Jean-Paul Sartre, the existentialist philosopher who celebrated the anguish of decision as a hallmark of responsibility, has no place in Silicon Valley.
Femininity, yes, effectively there is more in The First Man, not only in terms of women but stylistically, in its elements, the notes he wrote. You can see a real love story in it, a childhood love story, [Albert] Camus' first. Meursault [protagonist of The Outsider] and Marie were never up to much really. There is Dora in The Just and others in his plays, but they aren't so well known.
When [Jean-Paul] Sartre was asked whether or not he would live under a communist regime he said, "No, for others it's fine, but for me, no." He said it! So it's hard to say just how intellectual his stance is. How can you think that never in your life would you go to live in a communist regime and still say it's fine for everybody? A very difficult thing, that, but Sartre managed it.
[French intellectuals] could never address themselves to the working classes. They don't know what it means, and that gives them a bad conscience about it. [Albert] Camus has a greater proximity to those in poverty.
Intellectuals of [Albert] Camus' age who had previously disliked him now appreciate him. And at that point we come back to literature, and it's agreed that he was always a great writer.
Everyone has so much hope for a better humanity, and many, including [Jean Paul] Sartre, turned to the idea of communism in its beginnings. Generosity had a place in people's hopes.
I always remind myself that [ Jean-Paul] Sartre and [Simone] de Beauvoir didn't have children. And when you don't have children, it might be easier to believe that the child doesn't come with something.
Well, when I was a young writer the people we read were Hemingway, Fitzgerald, Sartre, Camus, Celine, Malraux. And to begin with, I was a bit of a copycat writer and very derivative and tried to write a novel using their voices, really.... I keep it out of print.
