A Quote by Catherine Hardwicke
As a director, you try to do things that are going to touch the human experience somehow, and emotions that mean something to people. You search for those projects and you hope to realize the potential in a project.
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We wanted to more richly experience why we were alive, not just make a better life, and so people went in search of things. The great thing that came from those that time was to realize that there was definitely more to life than the materialism of the late sixties and early sixties. We were going in search of something deeper.
Whatever emotions you're going through, you somehow seek out the people that are going through similar emotions or that maybe have something you need.
With every one of our films, we try to touch emotions, but we don't try to touch the same emotions each time.
Basically we are all the same human beings with the same potential to be a good human being or a bad human being. The important thing is to realize the positive side and try to increase that; realize the negative side and try to reduce. That's the way.
I try to be as good a director as I possibly can. I try to be prepared, and I hope everyone else is. The preparation, I suppose, means just about everything. Little things mean a lot.
Will history remember us, I wonder? I do hope so - to imagine that one might do something, touch an event somehow, & thereby transcend the bounds of a single human lifetime!
I just hope that theaters remain. I think there's something very wonderful about getting into a dark room with a bunch of people. There's something cool about that. Brings us all together in one room where we can experience all those emotions.
We try so hard to hide everything we're really feeling from those who probably need to know our true feelings the most. People try to bottle up their emotions, as if it's somehow wrong to have natural reactions to life.
I am one of those people who are out of touch with their emotions. I tend to treat my emotions like unpleasant relatives - a long-distance call once or twice or year is more than enough. If I got in touch with them, they might come to stay.
One of the key emotions a lot of people seem to be feeling is disillusionment, and what I try to do as a lyricist is touch on these emotions.
The first thing I learned as a producer is that you have very little control over the life of a project. Anything can stall a film from financing to scheduling to casting. Things fall apart all the time. Don't waste time on something that just won't get made. Try to have as many projects going at one time as you can handle.
Every year since we got started, I think that it's going to get harder to top it, but with all the support, somehow things keep getting better. That must mean we are doing something right, so we're just going to try to keep doing what we're doing.
I see that in the future, things that we have lost in the past will be recovered. There's a search for those things, a search for spirituality, for nature, for the goddess religions, for family and human bonding. All that has been lost in this industrial era. People are in desperate need of those things. I don't think the world will destroy itself in a nuclear cataclysm. On the contrary, we have the capacity to save ourselves and save the planet, and we will use it.
Somehow, something is always suffering. Someone is always losing out somehow. If you pick one kid up, you're not picking the other one up. You just try to minimize those small let-downs because, in a way, life is a series of let-downs from everyone, all the time. We don't mean it, but it happens. So, I just try to minimize that and spread them wide.
I mean the most important thing you can have as an actor, writer, director, or whatever you are, poet or whatever it is, is life experience. Life experience doesn't mean you have to live 50 years to have it. I mean you know a lot of people have huge life experience by the time they're in college.
As a former Assistant Secretary of State, Senior Director on the National Security Council, and Washington Director for Human Rights Watch, I hope to bring unique experience and knowledge to the Foreign Affairs Committee.
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